MISS DEMEANORS

If Jed Mercurio is a pantser, I’m a red herring.

A couple of years ago, back when we could do such things, I went to see a band at a Brooklyn nightspot. In performing what I thought would be a cursory rummage through my bag, the bouncers found my pens. All two dozen or so of them.

She left the NYPD in the firestorm of a high-profile case gone horribly wrong. Three years later, the ghosts of her past roar back to terrifying life.

When NYPD undercover cop Laney Bird’s cover is blown in a racketeering case against the Russian mob, she flees the city with her troubled son, Alfie. Now, three years later, she’s found the perfect haven in Sylvan, a charming town in upstate New York.

But then the unthinkable happens: her boy vanishes.

The history of Black American crime fiction dates back to the 1930s

Welcome to By the Book, Miss Demeanors’ style. In the tradition of the New York Times Sunday feature, the question of the week is: You’re organizing a literary dinner party. Which three authors, dead or alive, do you invite, in addition to your fellow Miss Demeanors, of course?

There’s nothing I love more than an inspirational story, and one of my favorites involves Kent Haruf.

How long is a sentence? The answer I got in junior high school was “long enough to finish the thought.” Cheeky.

For years, the longest sentence ever written in English was said to be Molly Bloom’s 3,687-word soliloquy in the James Joyce novel Ulysses (1922). However, one of the finalists for the 2019 Booker Prize was Lucy Ellman, whose 1,000-page Ducks, Newburyport consists mostly of a single sentence that runs to 426,000 words. Beat that if you can.

I recently finished writing a historical inspired, in part, by my family’s immigration story.

After joining ancestry.com, I met cousins from that line and in 2015, and I had the chance to visit. One of my questions was why when so many Irish ended up in Canada, or Boston, or New York City, did this family end up in the Berkshires?

Reading about horrible things help us deal with them IRL.

From ancient myths to fairy tales to epic poems and literature of every era and genre, it’s the worst-case scenario that glues us to the page/stage/screen. We shudder and close our eyes trying to imagine what it’s like to go into battle or to lose someone we love. The story takes us by the hand and lets us live through the tension and fear, then lets us out at the end, still whole, our lives still intact.

Welcome Keenan. Not only are you a crime writer, you’ve had a multi faceted professional life ranging from an illustration in the first edition of Dungeons and Dragons to your law career. Is there a thread that binds these together?