Reviews: To Read or Not To Read

My third thriller, Lies She Told, launched Sept. 12 and the reviews have been coming in fast and furious. Last I checked, there are about forty-five on Amazon and 470 reviews/ratings on GoodReads. There are also reviews on Instagram, which I am learning about and just started obsessing over.  And I am reading all of them.  Why? The true artist might ask. The book can’t be changed now. As long as I feel good about my work, what does it matter what other people think?  There are a couple reasons that I read nearly all my reviews. The first is that, like any insecure creative, I must know what people are saying about my brainchild and, by extension, me. I’m as bad as any high school girl with a new haircut. I’ll pretend that it doesn’t matter if the popular kids think my bangs are cute because I like them, but I desperately want the validation.  The far more important, non-ego-centric reason that I read reviews is because they are the second part of the conversation that I initiated with my imagined readers when I started writing my latest novel. I told a tale intending for particular themes to emerge and for my characters to resonate in certain ways. I put in twists and turns that I crafted to be believable red herrings. I aspired, above all, to entertain. Now the readers get to react. I have to listen to their interpretation of the story. I need to know what I succeeded in communicating and where I might have fallen short.  Crossing my fingers that I’m in for a good conversation. Do you read reviews?   

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Where do you read?

I’ll read anywhere, though I particularly enjoyed reading during my last vacation. I went to St. Lucia and finished Liane Moriarty’s Big Little Lies, which I truly enjoyed. The hype is worth it.  So is the hype about St. Lucia. Here I am reading my own book in this picture because The Widower’s Wife is coming out in paperback and, you know, marketing.Most of the time, I was actually reading Big Little Lies, though.  Inspired by my vacation reading, my challenge for The MissDemeanors this week was to show themselves reading in a favorite place. See their photos below! Tracee de Hahn: I love to read in cafes and particularly in cafes in cities, and even better in a cafe in Paris near a bookstore where I have bought a new book. I’ve spent many many hours and days reading at one of the cafes at St Michel, just across from this Gilbert Jeune bookstore. As a testament to this, I have many many books in French which I apparently couldn’t live without. Most histories. Surely one day I will read them all! (Cate: Tracee, C’est magnifique! J’espere qu’un jour je pourrai aller visiter les librairies Francaises.)  C. Michele Dorsey: I have loved reading at the beach since I was old enough to read, although I will read anywhere. Here I am at Race Point Beach in Provincetown, Massachusetts enraptured by Brian Thiem’s first book, “Red Line” using a No Virgin Island bookmark. (Cate: Red Line is such a great read, as is Michele’s acclaimed, Publishers Weekly STARRED reviewed, Sabrina Salter mystery series.)    Susan Breen loves reading in the woods. (Cate: Who wouldn’t love reading in these woods? Is one of those trees where Maggie Dove found Marcus Bender? ;-))     D.A. Bartley: Reading Ruth Rendell’s Dark Corners in front of Blue Polyvitro Crystals by Dale Chihuly at the New York Botanical Garden. (Cate: Great SETTING!) Gardens are favorite places of the MissDemeanors. The picture below is of our lovely agent and acclaimed author Paula Munier reading in Cherasco Italy. (Che Bello!)  Robin Stuart was recently reading in Sooke, British Columbia (the importance of will be revealed in an upcoming blog post).  When traveling, she reads outside–cafes, poolside or, as in this case, beachside. When she’d home, she most often reads in bed where the yard work can’t distract her.  (CATE: I want to know what was happening in that intriguing setting)  And below is a favorite reading nook of Lefty Award winning author Alexia Gordon. All you need to know is that it has good food and beverages. What else does a writer need?Tell us, where do you read? 

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Six Things I'm Thankful For

The theme of my posts this week seems to be the things I am most thankful for as a writer. Perhaps that’s because I have a book coming out soon and am feeling that familiar mix of terror and relief that makes you want to hold all the things you love dear.  So, here are the top five–a few of which have gotten their own posts this week.  #1. My familyI could not be a writer if it weren’t for the support and love of my family. When I submitted my first fiction short story at age seven to scholastic, and was rejected, my mom told me to keep going. She’d encouraged me to submit it in the first place, saying that she believed I had a special talent. When what you make is for mass consumption, it helps to have someone who tells you that your work is worth it.  My husband is the person who most often emotionally supports me now. He assures me that my books deserve to be read and will prove all the work that I put into them, even when I am frustrated about a rewrite, furious with myself for not knowing what to do next, or bummed about a rejection. My spouse has also provided the steady paycheck that enabled me to leave journalism and my salaried job to concentrate on writing (and motherhood) full time. He swears that I’ll enable him to retire early as a result, someday.   #2. EditorsI need them. I don’t always love their suggestions, but there is nothing more important than the input of a critical, knowledgeable, honest, and frank person. My editors make me better and they make my books better.  #3. The Thriller/ Mystery Writer Community Talking to other fiction writers makes me feel normal, and that’s important. They understand what it is like to live in a fictional headspace for hours, if not days, and then try to make normal conversation. They get how difficult it is to pull yourself away from your writing when you’re in the middle of a good chapter or have a great flow going. They understand the difficulty juggling the real with the imaginary. I feel like I’ve found my tribe.  #4. LibrariesPlease see my prior post, included in the related links section, on all the reasons that public libraries are wonderful and necessary. They are VITAL!  #5. The InternetI penned a love letter to Google Maps, one of my favorite tools, in an earlier post this week. But I could also write sonnets for dictionary.com, discussion boards, true crime web sites, online psychology studies, writer blogs, etc. I LOVE THE WORLD WIDE WEB!   #6. READERS!!!!In a world where information is doled out in 140 characters or with un-contextualized images, readers are becoming rarer and more important than ever before. Not only do I love readers because they allow me to do what I am passionate about, I love them because they care enough to know more, to imagine for themselves, to empathize with strange characters, and to want to delve into others’ thought processes. Readers are intellectually curious and empathetic, and I truly believe that those two attributes will be the most important to the survival of the human race. 
What are you most thankful for in your writing life?    

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To Google Maps, with Love

I recently wrote a short story for an upcoming anthology inspired by the music of Lou Reed. My story, Pale Blue Eyes, based on his song, could not take place in New Jersey or New York, the states with which I am most familiar, having lived in both for years. Something about the rumble of Lou Reed’s gravelly tenor refused to let me throw the characters inspired by his songs in the fast-talking, faster moving Manhattan area and its environs.  So, I set it in Las Vegas. Part of it takes place on the infamous strip, which I’ve been to. But the far more significant part of the story takes place at Las Vegas’ Red Rock Canyon State Park, which I have never visited.  Thanks to Google, though, I could virtually visit. The Internet Giant’s map site let me walk through the Calico Tanks trail, showing me all the scenery I might see on a given day, every step of the way.  I could see the dusty trail, the striated red rock formations and the prickly scrub brush lining the narrow foot path.  I could view user uploaded images at different points in the day of the giant red rocks.  Thanks to associated links, I could even visit pages where visitors discussed everything about the park from the smell of the air, to the weather in the month that I had set my story, to the way the sun sets.  I think the site really changes the game for writers, most of whom can’t afford to travel solely to inform a new book or short story.   Have you ever written a story in a place that you have never been? What tools did you use to research it?         

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For Love of Libraries

Today, at 7p.m., I am speaking at THE RAMSEY PUBLIC LIBRARY in Bergen County, NJ, where I grew up and now live. I am so thankful that they invited me and that I live in a place with wonderful local libraries.   Librarians rock. By and large, they are amazing sources of information. Most read constantly and pride themselves on acquiring good books and then recommending them to their visitors. As a result, a strong library system can be the difference between a wonderful work of fiction getting discovered by the masses.  One of the most well read people in the mystery, thriller community is librarian and author Jeff Ayers. Track him down at the next mystery conference and ask about a book that you enjoyed which no one has been able to talk to you about. Chances are, Jeff will know it. Chances are, he’ll even personally know the author. The library was where I discovered my own love of reading. My mom would take me several times a month to the TEANECK PUBLIC LIBRARY to stack up on new books. I loved holing away in a corner of the building, surrounded by the sweet, faintly earthy smell of paper and ink, and getting lost in a fictional universe for hours.  When I had my first interview for BusinessWeek, a magazine where I would later work for several years, it was in the Teaneck Public Library. I applied right out of college, before I had enough experience to warrant the job. The editor decided that I deserved some encouragement and met with me at the library to talk writing, journalism, and books.  Now a mom, I take my kids to the TENAFLY PUBLIC LIBRARY every month. They love picking out new books, though they have a bad habit of pretending they own them and integrating them into their own bookcases. The children’s librarian there has turned my kids on to some wonderful series that I would not have otherwise known about.  Do you visit your local library? What is your favorite library memory?    

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Taboo Topics

Some years ago, my fabulous Gotham boss, Kelly Caldwell, wrote an article about writers’ taboos. Were there any topics you just would not write about? I was thinking about that article the other day when I was at my daughter’s bridal shower. I adore my daughter, I loved everyone there, and yet the mystery writer in me could not help but think that it would be a perfect set-up for a murder. I began to plot, but then pushed the idea away. It was my daughter’s day and I didn’t want to appropriate it. (Not now, anyway.) That led me to wonder, however, what topics my fellow Miss Demeanors find taboo. This is what they said: Cate: I don’t consider any topics taboo in a suspense or thriller. Maybe that’s because I started sneaking my mom’s V.C. Andrews books right after I finished reading The Lion, the Witch and The Wardrobe. Alexia: I can’t think of any subject I consider taboo–off limits, would never, ever go there. (Never say never.) However, I don’t care to write about subjects that I wouldn’t read about. Not because they’re verboten, just because I’ve gotten to a point in my life where I’m okay with not spending my limited time on things that hold no interest for me. Stories about not-too-bright submissive women involved with wealthy, sexually sadistic psychopaths come to mind. Also stories where sex and violence are gratuitous, just there for the shock value, not to serve a plot purpose.I would love to read a murder mystery centered around a bridal shower, unromantic cynic that I am. “Bridezilla Gets Her Due.” How’s that for a title? The caterer did it. D.A.:  I absolutely write about the taboo … in the textbook definition of a social or religious custom forbidding discussion of a particular practice.  My books are about what many Latter-day Saints consider sacred. There are particular challenges to writing about what you’re not supposed to write. It’s easy to understate, exaggerate or avoid. I think readers sense when a writer’s not being honest or fair, and the story suffers. When I’m dealing with a taboo subject, I’ve found the best way to ensure accurate and respectful treatment is to let my characters be themselves. My detective has left the church and her father is a devout and active member. I defer to the characters’ intelligence and let them wrestle with the taboo topics. They do a much better job than I could. The reader then is left to sort things out on his or her own, which really is what you want to happen when you read suspense anyway. As a nod to the taboo, I’ve attached an image of the Salt Lake temple, a structure where sacred covenants no one is supposed to discuss take place.   Michele: My answer to the question of the week is that I could never write about explicit violence to children. I can allude to it, but I can’t even bear to read details about children being hurt, let alone consider writing them. As much as I love Elizabeth George and have read just about every word the woman has ever written, I had skip sections of In the Presence of the Enemy. I didn’t want to experience what Lottie had to endure. But I also believe writing about the abuse and harm to children can raise awareness and help to prevent it. There’s a delicate balance between letting readers know about the cruelty children suffer from and including such graphic details that they recoil from them and stop reading as I do. Tracee: Children and animals are two hurdles I treat carefully. I agree with Michele that awareness can be raised if done correctly but I can’t write about them explicitly. I have a part in a current manuscript where the heroine tries to abandon her dog to a good home and some Beta readers balked – even though she and the dog are re-united a half page later and bond permanently soon after!I’m a big fan of Martha Grimes and she’s raised awareness of cruelty to animals with plot lines involving testing, I thought she handled it well. Revealing enough for awareness without making the reader want to flip though the chapter without reading. Of course I also don’t write about serial killers or other situations which require descriptions of torture or other physical horrors. Robin: I embrace taboo topics a little too readily (ask Paula about that :)). There is one thing I will likely never write, though, and that’s anything involving harm to an animal. Maybe I got scarred by reading Old Yeller in grade school. There are books I love that handle such things artfully without feeling contrived or manipulative, like James Herriot’s books and Garth Stein’s The Art of Racing In The Rain, but I sometimes have to take breaks after scenes I write involving humans; jeopardizing an animal would bring me to a full stop. I’m too much of a sucker for fur babies. Paula: I won’t write about anything I won’t read about. Which means sadism or torture or harm to kids or animals. There are dog heroes in my books, and I worry about the challenges they face just as much as I worry about those my human heroes face–from flying bullets to n’oreasters. As an agent, I know that selling stories  where a child or an animal is killed is very difficult, if not impossible, especially for debut authors. To pull it off requires great craft and greater luck. So if you’re looking to get published for the first time, you might want to avoid these kind of storylines. Then a further thought from Alexia, to our agent: As a tip for aspiring authors who read our blog, does that include child murders that occur “off-screen” (say as part of a character’s backstory or something that happened before the action began)? Or only child murders that occur on the page?Any other topics aspiring authors should think twice about including in their debut effort? And Paula’s reply: Probably best to avoid altogether. Those are the biggest issues. But many editors shy away from graphic violence, rape, incest, and the like. It’s also true that some are avoiding sex trafficking, drug trafficking, serial killers, and terrorism, as they’ve been overdone lately. So if you’re including any of this plot elements you need to find a fresh take…. And here’s the link to Kelly’s article: https://www.writingclasses.com/toolbox/articles/the-care-and-treatment-of-sacred-things-part-i  

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Of Cockapoos and cars

When I was young, I desperately wanted a Peugeot sports car. I kept talking and talking about it until finally my dear friend said, “You don’t even know what a Peugeot is. You just like the name. ”   She was right, and I thought of her when I acquired two cockapoos, for much the same reason. How could you not want something called a cockapoo? Every time I say the word, I laugh. My phone keeps auto-correcting it to cockatoo, which I don’t think is nearly as funny. So I have two of these silly dogs. The oldest, Buster, is very nervous. He’s a very gentle soul, but watchful. He keeps his head still and his eyes just follow me wherever I go. He’s also very flexible, and when he’s tired, he stands like a tripod and slowly sinks to the ground. He also tends to tilt. He always makes think he looks like he’s on the Titanic, sinking. He’s the sort of dog who’s perfect with kids. You can do anything to him, and my son has, and he doesn’t get upset. He just looks forlorn, as though in a perfect world, such things would not happen. My younger dog, Bailey, is much more high maintenance.  When we went to pick her up at the breeder, my daughter said, “Give us your most lively one.” That dog never sits still. She’s always twitching about, scratching and licking. She’s probably not the most attractive dog. Her face always makes me think of a revolver, and yet she has very high self-esteem. She’s also devoted to me, and follows me around no matter where I go. My two little friends keep me company when I write, which can be a lonely occupation. They are also great to practice dialogue on. Mainly they are my cheering squad. Whatever I do, they think it’s fabulous.

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Mentoring

During the summer I don’t go into NYC to teach for Gotham Writers, which is what I normally do. Instead I work for Gotham’s Mentoring program, which is to say I work one-on-one with students over the phone. Every Monday at 6:30, for example, I talk to one writer from New Hempshire who’s working on a cozy mystery. She’s just getting started, so we’re at a brainstorming stage and if anyone were listening to my side of the conversation they’d find me insane.   Does her uncle have a reason to kill her? Does that poison cause you to have convulsions? Could he secretly love her? Is there money involved? He seems nice, but who is he really? We spend our time speculating over murderous topics, and I feel like our energy feeds off each other. I always feel inspired about my own work when I’m done talking to her, and judging by how many pages she’s written, she’s inspired too. Then there’s an older gentleman from California, who’s been working on a short story for some time. Anyone who doubts whether writing can be taught should read his work. He’s gone from being somewhat long-winded to writing something that’s really good and he’s going to be sending out to literary magazines. Not all my students are published, but some are, and it’s always a triumph. Today I’ll be talking to a new student, and that’s always exciting. Who is this person and what are her dreams and what can I do to help her? It’s always a bit of a puzzle to figure out. A little bit like constructing a mystery.     

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Cosima

So, as I mentioned yesterday, I’m writing a story about a woman who is the daughter of a serial murderer and I needed to think of a name for her. She’s very well-educated and her father, in addition to being a killer, or perhaps because of it, was a great pianist. I considered Aria, which I think is a pretty name, but I was concerned people would confuse her with Arya Stark, and also it seemed somewhat playful and I did not picture her father as being playful in any context.  Then I thought of Cosima Wagner, a woman I’ve always found fascinating. She was born on Christmas Eve 1837, the illegitimate daughter of the great pianist Franz Liszt. Her name derives from St. Cosmas, the patron saint of physicians and apothecaries. She was not a great beauty. She’s always reminded me a bit of Wallis Simpson, another interesting woman. When Cosima was a young woman she married pianist Hans von Bulow, who was Liszt’s most devoted student, but perhaps not the most exciting and romantic individual. During their honeymoon, they went to visit the German composer Richard Wagner, a very exciting and romantic individual, with certain major personality flaws. The next year they visited him again, and at the end of her visit she threw herself at Wagner’s feet and kissed his hands. As Wagner wrote afterwards, “I pondered the mystery, without being able to solve it.” A few years later, Cosima began an affair with Wagner, and had  two children with him, and when she finally asked von Bulow for a divorce he said, “You have preferred to consecrate the treasures of your heart and mind to a higher being; far from censuring you for this step, I approve of it.” On the first Christmas of their marriage, Cosima woke up and heard music. Wagner had set up an orchestra on the stairs and played for her. She went on to become a really terrible person, an anti-semite and her family became friendly with Hitler,  but in the romanticism and cruelty of her history, I felt I’d found  a good name for my character. So that’s how I came up with Cosima. Now for the last name!

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Serial Summer

This is the Summer of my Submission, which is to say this is the summer when my fabulous agent is working to sell my new mystery novel and I am working very hard to manage my anxiety. I considered taking up drink, and have not ruled it out entirely, but for the time being I’m channeling my anxiety into writing short stories. Which is to say I am now in the midst of writing four short stories.   I’ve never done anything like this. Usually I’m a very focused one-at-a-time sort of person. I explore, I take notes, I cogitate, I excavate and then hopefully something emerges. But at the moment I’m more in a machine-gunning frame of mind. I’m spewing one idea after another onto the page, and it’s sort of fun. Perhaps it’s the writing version of going onto Tinder and dating four guys in one week. (I can hear my son groaning as I write that sentence.) One of the most exciting parts of this speed-writing is that I’m developing characters I normally wouldn’t write about. One particular one that intrigues me is the daughter of a serial killer. I’ve always been interested in what it would be like to be related to someone truly evil. Could you be a good person and have those genes inside you? Would you worry all the time that something evil might emerge or would you just shut the whole thing down, and not think about it at all? Would you love your father? Would you visit him in jail? Would you hesitate to get married because you’d worry that your children would be evil?  So many questions! Which is always a good thing. One thing I absolutely know is what her name will be, but I’ll write more about that tomorrow. Stay tuned.     

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