Talismans and Tall Tales

I am sick and starving. It’s been twenty-six hours since my last meal, a sorry bowl of bran cereal with a splash of contraband milk. Dairy isn’t allowed two days before my procedure. Food of any kind is banned for a full day before the test. I have eight more hours until they put me under.  Things could be worse. Three years ago, after having my first colonoscopy at the age of thirty-three, I worried that I’d be delivered a death sentence. I wasn’t though. And my mother swears it’s all thanks to a good luck charm she’d bought in Turkey.  I told the story for a spoken word event called The Gnat several years back. The Gnat is like The Moth, a famous non-fiction storytelling event that brings thousands of people to each performance–only smaller. In honor of colonoscopy day, I thought I’d share it:  I was raised to believe in bad omens. My mother is Jamaican. Most people know Jamaica as the birthplace of Bob Marley, Usain Bolt and a robbed Ms. Universe contestant. But it’s also the home of Obeah. Like voodoo, Obeah has its roots in African religions. But, in Jamaica, the religious practices were pulverized from centuries of criminalization until what was once a religion became a culture of superstition. Obeah literally means bad omen and that’s how most Jamaicans preach it, by sharing news of bad signs. Growing up, my mother was always pointing out ill warnings. A crow lands on a roof, someone in that house gonna die. Dog digs a hole in a yard, someone nearby is gonna die to fill it. Stick breaks by you, better run because a friendly ghost is warning that the area is rife with death. If I ever expressed doubt in what my mother said, she’d break out some unverifiable story supporting the omen. “Cousin Pauline didn’t run when the stick break and a snake sunk its teeth straight into her ankle.” And, I have no doubt that there are incidents when her superstitions proved true. After all, what really is a superstition except a statistic taken out of context? As I grew up, I stopped believing in a lot of things my parents told me: Santa Clause, the Easter Bunny, girls get pregnant from boys touching their boobies, and Bad Juju. My mom remained devout, even adopting new superstitions. A little over a year ago, she and my dad went to Turkey. My mother carts back a fistful of jewelry made of glass beads with dark pupils at the center. The evil eye.  The woman who sold them swore that if the jewels break, they had protected the wearer from a great misfortune.  I told my mom she’d been duped by a clever marketing scheme. If the beads shatter, it’s not shoddy construction, it’s evidence of their power.  My mom insists I just wear it. After about a month of wearing hers religiously, my mom’s bracelet breaks. Now she swears that the day of, she reminded my father to get his colon checked.  My dad does get a colonoscopy and he’s diagnosed with cancer. Fortunately, it’s caught early. Months later, my father is short one foot of intestine and fine, and my mom is telling everyone about the proven power of the evil eye. About a year later, I’m still wearing my bracelet, and I visit my local gastroenterologist. Don’t worry, I’ll spare you the crappy (heh heh) details that sent me there. The doc recommends a colonoscopy. He tells me it’s out of an abundance of caution as I see him faxing my insurance company a form labeling me “high risk.” I tell myself that the prep will be just like a cleanse without swallowing two liters of cold-pressed kale. It’s nothing like that. It’s more like the time I had swine flu and was nearly hospitalized for dehydration.   The colonoscopy is much better than the “prep” because there’s an anesthesiologist. When I wake up, I’m still wearing my evil eye bracelet and I see that my doctor is wearing this tight expression, like he’s just seen a crow fly onto my hospital bed. He shows me pictures of an angry tubular thing that he’s gouged out of my colon. I should be concerned about this. But, everything’s still Irie from the laughing gas, so I’m more impressed that my colon is utterly empty of any embarrassing debris. A week later, the doctor tells me that I had a precancerous adenoma—very rare, apparently, for a thirty-three year-old woman. Left unchecked, I would have likely died a decade before my regularly scheduled colonoscopy at 50. He also says there’s a high likelihood I have something called Lynch Syndrome. I need genetic testing. As soon as I get off the phone with the doctor, I do what everyone does now-a-days. I seek a second opinion from Google. And it’s not good. Here are some statistics, in context: People with Lynch have an 80% risk of developing colon cancer before age 50, as opposed to a 5% risk in the general population. Women have a 60% risk of getting endometrial cancer before 50. It also hikes the cancer risk for your breast, stomach, lymph nodes, ovaries and brain. Lynch patients have a little less than a 50% shot of seeing their 50th birthday. And my kids are three and four. I’m not good at math but I know I need to pass fifty to see their college graduation. So, my doctor called me last week with the results. And, strangest thing, as he’s talking the string holding all those glass evil eyes tight to my wrist just breaks. And the beads fall to the ground, plopping like unwanted change in a water fountain. And he says, you don’t have lynch.  I went on Amazon and bought up all ‘dem beads. And I apologized to my mother. I still don’t know about bad omens, but I’m betting on good ones.     

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Ready to try a new genre?

 Earlier this week we hosted Jonathan Putnam and Art Taylor. They’re both mystery writers, however they occupy a niche different than ours – Jonathan with historical mysteries and Art with a focus on short fiction. As the week went on, I found myself thinking about plot lines outside of the mystery genre. My question to you is: if you chose to write something ‘different’ what would it be? I often feel a pull toward historical fiction (not in the mystery genre, although at the heart of every story there is a mystery) and, in particular, a big epic. Maybe even a multi-generational, multi-country sprawling story. Anyone else feel the pull? ROBIN: I’m with you, there are always mysteries, regardless of the genre. Without questions, there are no conflicts, thus no story. I sometimes feel a pull towards literary fiction, something family-drama-ish. It’s been fascinating reading my parents’ letters to each other from the time they were dating up through their honeymoon. The letters answered some questions about my own family’s history while raising new ones. All of it is fodder that I’ll use in present and future works. MICHELE: Yes! Not only do I feel a pull, I had a fictional woman named Elise whispering in my ear, pestering me constantly, until I told her story. I wrote an entire romantic comedy about her, fully enjoyed the experience, but never named the book, nor did I shop it. What’s with that? I love a romantic farce! (Aren’t most love stories farcical?) What do you think about Elise? Shall I excavate her from the bottom of a desk drawer? Or let sleeping lies lie? Then, there’s Madeline who’s begging me to tell about her adventures as a domestic servant for Boston Brahmins on Beacon Hill after fleeing Ireland. I hope my fellow Miss Demeanors also hear voices and that it isn’t just me. SUSAN:  I came to being a mystery writer after having spent ten years as a short story writer and then another ten years as a literary fiction writer, if it is respectable to describe oneself as that. Writing mysteries was my secret pull all those years, and I’m so glad I surrendered to it. Michele, I’m very intrigued by Madeline and would love to hear her story.  ALISON: I feel as though I’m baring my soul: one of my guilty pleasures is watching shows like “Odd Mom Out” and “Keeping up Appearances,” (Anyone else love Hyacinth Bucket, oops, Bouquet?), as well as the supposedly more high-brow “Upstairs Downstairs” and “Downton Abbey.” I love fluffy stories layered on top of denser questions about the dynamics of socioeconomic class. I’ve written half of a mystery based on the idea of a mother who goes a little off the rails when her perfect child does not get into the perfect school. I wouldn’t have believed applying to independent schools in Manhattan could really be so dramatic if I hadn’t gone through it myself. Don’t get me wrong. Most people are lovely and wonderful, but the ones who aren’t…well, let’s just say there might be some justifiable homicides out there. CATE: I would love to write a magical realism / dystopia book about a suburban American mom who keeps seeing signs of the apocalypse as she has to go around living her regular life. It would start with an odd chalk sign that she sees exiting her local coffee shop. She would keep going throughout her mundane week, all the while the signs would be building up. The protagonist would occasionally hear things on the television or the radio that would be clear evidence. But she’d keep ignoring them because she lives in a bubble and is relatively happy in her contained world. It would end with a flood and fire, and some greater commentary on interconnectedness and willful blindness and the struggle between individual survival and collective awareness. Maybe someday. I’m not mature enough to write it now without it being awful. Also, I’d probably need to reread revelations and ain’t nobody got time for that at the moment. ALEXIA: I would love to write a science fiction novel along the lines of Blade Runner or RoboCop. Of course, both of those are police procedurals set in the future so maybe writing a sci-fi cop story isn’t so different from writing mysteries after all. I’d also like to write a middle grade fantasy novel with a princess who saves everybody instead of waiting to be saved, historical fiction about the Black professional middle class in the first half of the 20th century, and a good old-fashioned ghost story. PAULA: I write a lot of nonfiction, and enjoy it, especially the books on writing and mindfulness and creativity. But I’d love to write women’s fiction someday. In my dotage…. TRACEE: Glad to hear I’m not the only one who hears (in Michele’s words) voices in my head….. all those characters who try to pull me into stories I’m not quite ready to write. I’m going to keep an eye on Cate and see if she is carrying Revelations around. First sign of a breakout into a new genre! (Paula, I hear your voice whispering in my ear….. establish yourself and then branch out! Don’t splinter too early! Good advice.) Anyone else out there ready to break type and go out on a writing limb?

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DON’T BOTHER ME, I’M NOT WRITING

Author Ellen Byron joins the MissDemeanors today to share her thoughts on mindless creativity. Don’t miss her new mystery, A Cajun Christmas Killing, available now. Here’s Ellen: I spend a lot of time when I’m not writing, writing. It may look like I’m getting dinner together or doing the laundry, but I’ve found  that when I’m engaged in some mindless task – and if you ever ate at my house, you’d know my cooking is mindless – I have some of my most creative thoughts. It turns out I’m not alone in this. Google “mindless creativity” and you’ll get pages of articles proving this really is a thing. I found an article in Nature magazine about a study that showed “simply taking a break does not bring on inspiration — rather, creativity is fostered by tasks that allow the mind to wander.” A piece in Inc. Magazine was titled, “Want to be more creative? Do something mindless.” In a recent post on the Chicks on the Case blog, Lisa Q. Mathews shared this tidbit: Dame Agatha Christie herself claimed that she did some of her best plotting while doing the dishes.  Around the time I was thinking about this topic, the inimitable Dru of Dru’s Musings posted a picture from work showing a table filled with cans of Play Doh. I asked her about this, and she said, “Playing with Play Doh breaks up the monotony of the day, allowing you to relax and set your mind free by escaping with something fun.” Exactly.  Photo courtesy of Dru I’m now a fervent proponent of the Mindless Creativity Movement. Okay, there isn’t a movement, I just made that up, but there should be because we often feel guilty when we step away from our computers to do a task or errand or even something fun like play with Play Doh, and we shouldn’t. I’ve had so many brainstorms pushing a shopping cart through Target that I actually thanked them in the acknowledgments of my second book, Body on the Bayou. I’m not kidding. It reads, “And finally, a big thank-you to my local Target stores. I do some of my best thinking aimlessly wandering those jam-packed aisles.” I even wrote a blog post about the most mindless task of all. It’s titled “The Zen of Picking Up Dog Poo.” https://chicksonthecase.com/2017/07/17/the-zen-of-picking-up-dog-poo/ One drag about mindless creativity is that our nearest and dearest often don’t know it’s going on. They see us cleaning out the pantry or organizing the recycle bin and think, “Oh yay, she’s finally off the computer. I can talk to her.” I’ve lost some gems this way and snapped at the poor person who interrupted my creative process. When I shared an apartment with a particularly chatty roommate, I actually made a sign that read “Still Working” that I wore around my neck when I wasn’t literally writing. Another potential problem is the thin line between mindless creativity and procrastination. I have to be honest with myself and acknowledge when a midday trip to my favorite clothing store is the latter. But sometimes the two work hand-in-hand, and procrastination actually turns into mindless creativity. I ruined two pots when I chose to procrastinate by cooking, then had a brainstorm about my current book, A Cajun Christmas Killing, and ran back to the computer, totally forgetting about what I’d left on the stove. So next time you’re stuck on something, whatever it might be, trying getting your mind off the project and onto a mindless task. Even if you don’t have a breakthrough, at least your spice rack will be organized and your backyard poo-free. Your fearless MissDemeanor again. Forget the spice rack; go pick up a copy of Ellen’s new book, A Cajun Christmas Killing.  Here’s a peek (It’s okay, I won’t tell Santa):  Maggie Crozat is home in Cajun Country during the most magical time of the year. But the Grinch has come to stay at the Crozat Plantation B&B, and he’s flooding travel websites with vicious reviews. Maggie ID’s him as rival businessman Donald Baxter –until Baxter is found stabbed to death. With her detective boyfriend sidelined as a suspect, Maggie must catch the real killer or it will be the opposite of a Joyeux Noel for her. Books make much better presents than slipper socks and fruitcake. So grab copies now for everyone on your nice list. And on your naughty list, too. Beat the holiday rush. Ellen Byron writes the Cajun Country Mystery series. In a starred review, Publishers Weekly called her new book, A Cajun Christmas Killing, “superb.” Body on the Bayou won the Lefty Award for Best Humorous Mystery, and was nominated for a Best Contemporary Novel Agatha Award. Plantation Shudders, was nominated for Agatha, Lefty, and Daphne awards, and made the USA Today Bestseller list. She’s written over 200 national magazine articles; published plays include the award-winning Graceland; TV credits include Wings, Just Shoot Me, Fairly OddParents, and pilots. Ellen lives in Studio City with her husband, daughter, and two spoiled rescue dogs. https://www.ellenbyron.com/https://www.facebook.com/ellenbyronauthor/https://twitter.com/ellenbyronla    

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A Brush with Evil

Recently I was reading a very disturbing book by Harold Schechter about a man he described as “America’s most fiendish murderer.” This man did a number of really terrible things in New York City in the 1920s, but I was surprised to discover, at the end of the book, that he committed most of his atrocities in an old house in a small village in the Hudson Valley. In my very own village! He killed people not five minutes away from where I live and if that’s not horrifying enough, he threw his weapons into the woods. Most of them have been discovered, but there is still an ax out there in the woods where I walk. Of course all this happened long before I came on the scene, and yet I found it changed the way I viewed my peaceable woods. That led me to ask my fellow Miss Demeanors: Have you ever had a brush with evil?    And this is what they said: Paula: Great story, Susan. From my research for my mystery there are some 40,000 remains scattered across the woods and fields of this country, and those are just the ones we know about…. For my story, I must go back to my childhood in Germany in the late Sixties, where my Army father was stationed and our family lived outside the city of Mainz. I loved taking my little poodle on the trolley into town, where I would wander around and buy African violets and trinkets and visit the statue of Gutenberg. I was about 10 years old, a friendly blue-eyed blonde girl who spoke enough German to comport myself fairly well as the little ambassador  my parents told me I was supposed to be. But when an old man on the trolley cornered me and started lecturing me on the glories of the Nazis, I got very, very scared. No one else on the trolley stepped forward to help me, so I got off the trolley with my dog and ran away from the old man. When I felt it was safe to go back, I got back on the trolley with my dog and went home and I never ventured into the city alone again.  Tracee:  Paula, that really made me sad. How terrible for him to have destroyed such a simple pleasure (plus they lost a great little ambassador!) On to the Q:I grew up in a house built in 1822, which is old for western Kentucky, and my father liked to tell stories of people (generic people) who would have lived and died there. For example it was used as a hospital in the Civil War and apparently he thought that talking about that…. and how soldiers would have been treated and perhaps died ‘right there in our bedrooms!’ was a good bedtime story.My mother put a stop to that. To be fair we weren’t scared and thought it was pretty interesting. Years and years later, in fact recently, my dad came downstairs one morning and said he had a terrible and vivid dream about a baby named Dot who was dead. He shared details of the dream (many of which I don’t remember) but she had died in the house. Later that week my sister was going through a box of photographs that she’d uncovered and found a very old photo with a large family seated in front of the house (truly early photography) and on the back were their names including that of Dorothy, “Baby Dot” and it was noted she died right after the photo was taken. My dad was a little shaken and it was actually all very strange. We weren’t familiar with those photographs, they were a collection given to us by a local historian. For a few days we were all on edge, but it really didn’t change the house for us. I’d like to think that the house has a memory and that we share it. (Although mention Baby Dot at any time and we will all get a little pale.)  Robin: I’ve had to deal with living human evil personally and professionally quite a bit so I’ll tell a fun story instead. My parents had close friends that lived in one of the original Craftsman houses in the Oakland Hills in the SF Bay Area at a time when my family lived out of state. We went to stay with the couple for a weekend visit when I was probably around 8 or 9 years old. The husband told my brother and I to expect to hear or see strange things but not to worry about it. He said the house was haunted by the man who owned the house first who died in the master bedroom. The man didn’t like kids for some reason so his ghost tried to scare any kids that came over. We thought he was joking until all of the adults went outside. My brother and I were at a table in the kitchen eating a snack. One side of the room had windows facing a deck that had a spectacular view of San Francisco, the other end opened into a hallway with stairs to the left that led up to the bedrooms, living room to the right. While we sat at the table we could see our parents and their friends on the deck while we heard the stairs creak inside the house. The creaking grew in intensity until it sounded like someone stomping up and down the stairs. I was ready to run outside to the safety of the adults but my brother wanted to stay in the kitchen to see if anything else would happen. He’s a year older than me so, of course, I listened to him. I guess the ghost decided to step it up a notch. A few minutes after the stomping stopped, the cabinet doors in the kitchen started swinging open and closed. A few times they slammed so hard it got the attention of the adults outside. They came in to see what was going on and all the spooky stuff stopped. My brother and I babbled about what happened and my parents’ friends said, “The ghost is just trying to scare you into leaving. But don’t worry, he can’t hurt you.” Then all the adults had a good laugh. I don’t think my dad believed any of it until that evening when his friends made dinner. Drawers opened by themselves if my brother or I were in the room. The couple who lived there just closed the drawers and continued about their business as if it wasn’t unusual. I stayed close to the grown-ups for the rest of the weekend. Alexia: I’ve had four, fortunately brief, brushes with pure evil (as opposed to merely not particularly nice). 1. I worked as a nurse’s aide at a rehab center as part of a summer program for pre-med students. I lived in the on campus dorm. We were within walking distance of a shopping mall and I didn’t have a car. The rehab center was in a safe, suburban area so some Saturdays I’d make the short walk to the mall by myself. Usually, uneventful. One time, as I walked past the bus stop a well-dressed, older (mid-50s) man got out of his sports car and politely asked me if I needed a ride anywhere. Middle of the day, suburban bus stop, guy’s waiting for a random woman to come by so he could offer her a ride. Not waiting for someone in particular, not in an urban area, not after dark, not in an area “frequented by known prostitutes”. My animal brain’s assessment: serial rapist/killer until proven otherwise. I said, just as politely, ” No, thank you,” quickened my pace, and made careful note of his polo shirt and khakis so I could give a description to the police if any women turned up missing. 2. I opened my door to a magazine salesman (one of the twenty-somethings who work for those shady programs where they go door-to-door in the summer and try to sell you overpriced subscriptions to magazines nobody reads). I could practically read his mind as he considered if he was going to try to get more from me than a subscription. Fortunately, he was with a partner who was bored and wanted to leave ASAP so I gave him the glass of water he asked for, lied and said I wouldn’t cancel the subcription I agreed to, and he left with his buddy. 3. An obviously drunk guy showed up at my door with his equally drunk buddy and claimed he had car trouble and wanted to use my phone. I had a dog who was 100% harmless (she would have played with Satan if he’d had a treat in his pocket) but she had markings that made her look like a Rottweiler. I held her in front of me so the guys could see her through the storm door. She, of course, jumped and pulled at her collar, thinking these creeps wanted to play with her but they assumed she wanted to eat them so they went away. 4. I had a patient who told me he was possessed by a demon. He told me (reluctantly, not boastfully) of the truly horrendous things he’d done to others under the influence of the demon and to himself (while in prison for the horrific crimes he’d committed) in an effort to exorcise the demon. Think of the worst form of self-mutilation a man could commit. He did that. He described all the treatments, medical and religious, he’d undergone. He’d been through all of them. Nicotine was all that seemed to keep the demon under control. The whole time I was talking to him a vibe filled the exam room that I can only describe as evil. Not anger at the man for what he’d done but actual evil, like something was inside him and I’d better be careful not to let my guard down or I’d find out first-hand that demons do exist. It was just like a scene from The Exorcist or The Omen or similar movie when you want to yell GTFO at the guy on-screen who’s about to get up close and personal with spinning heads and projectile vomit. I had the same sensation on the few occasions I’ve suffered “hag-riding” (hyponagogic hallucinations and transient sleep paralysis, scientifically speaking) and been convinced in the moment that a demon was circling my bed. (I wouldn’t wish hag-riding on anyone.) I focused on the patient’s physical issues instead of the spiritual ones and referred him to a cardiologist. The cardiologist’s report came back with the advice for the patient to “keep smoking”. All of these encounters occurred in brightly lit, “nice,” safe suburban locations. I’ve walked through downtown Dallas in the dark, ridden trains through ghettos that looked like war zones, and done mission work in Honduras and never felt as unsafe as I did in those situations. Probably why I hate the suburbs. I’m always on edge, like I’m waiting for the really evil, twisted sh*t to happen. Cate: I don’t really believe in evil. I think people do horrible things because of the circumstances that they are put in or have been put through, the values (or lack thereof) in their society and social groups, and, sometimes, because of severe mental defect. That said, the closest I probably came to a bad person was when I was a young reporter. Like all the rookies, I was on the weekend rotation. Once every couple months, I had to work breaking news on a Saturday and Sunday in addition to covering my usual beat. Often, breaking meant bleeding. Much of the weekend work involved listening to police scanners and going wherever the cops said they’d head next.  One day, I’m listening to the scanner and there is a bunch of loud chatter about a building in Paterson. Apparently, a would-be robber broke into a Pennsylvania home, surprising the children and babysitter. He shot them all and fled to a Paterson, NJ, housing project.  My editor sent me to the building. Somehow, I arrived in the courtyard outside the buildings before the police cars. The sun was slipping beyond the horizon and the sky had a deep purple tinge to it, like a fresh bruise. A group of large, young men openly smoked joints as thick as cuban cigars and threw dice against a brick exterior. I walked over to them with all the bravado of a 21-year-old cub reporter armed with a notepad and press pass dangling from a lanyard, and asked what they thought of the police helicopters overhead. They looked at me like an extra for another film had wandered onto the wrong set.  “Apparently, this guy killed a babysitter and shot two children,” I said, trying not to betray my nervous excitement. “He fled into this housing complex. Are you afraid to go inside?”  Maybe it was a stupid question to ask a bunch of large men who didn’t seem to care that marijuana was, technically, illegal and that their building was being monitored by police helicopters. But I thought it made sense. It’s one thing to look intimidating to a hundred fifteen pound woman fresh out of college covering her first “murder.” It’s another to face down a real, armed man who’d killed a teenager and two kids.  The guys told me that “no they weren’t scared to go into their building.”  Then one asked if I was scared, letting his eyes roll over my cheap skirt suit in a way that suggested maybe my reporter’s badge didn’t give me any special powers to wander into his neighborhood. I took the pretty blatant hint and retreated to the side of the apartment complex to call my editor. “There are police helicopters overhead, but the cops aren’t here yet and the guys in front of the building basically told me to get lost.”  “Okay. Well, can you go inside the building and see if you see anything?”  My editor was a large dude, outweighing me by at least a hundred and fifty pounds. It seemed like a job for him to go inside a building with an armed murderer and a gang of men outside who’d basically just told me to get the heck out of there. Not me.  “Um. You know. It’s getting dark and I don’t feel great about going into a building housing an alleged murderer when the police aren’t even here.” “Well, that’s how you get the story. But, if you’re frightened… I felt awful. But I was still too scared to go into that building. “I guess, maybe, I’m not cut out to be a cop reporter.”  When I went back, I called the police and got some on the record quotes, feeling ashamed of myself for being a wimp. Weeks later, I was having drinks with some colleagues and they all told me about the time the big, burly editor was beat up inside the same building by a gang of guys for asking too many questions.  When I tell this story now, I wonder, who was the bad guy?  Michele: A brush with evil you ask?How about standing outside the bedroom door of your two children, both under the age of three, and feeling the hands of a man tighten around your neck until you see stars and think you are going to die and leave your babies helpless?Or feeling the cold nozzle of a gun taken from the top of your copper tone refrigerator and held against your temple?Finding every pair of pants in your closet has had the crotch slashed?Having your back door broken down and landing on the kitchen table sending the Cheerios in your children’s bowls flying into the air, never to be forgotten?All at the hands of your now dead ex-husband, who was a cop.Evil doesn’t just exist in cities or suburbs. Evil can be disguised as adoration that once inside your heart and home becomes deadly. Alison: Beyond the inexplicable personal evil Michele described so horrifically, I think there are ways of organizing societies that can nurture evil (and, conversely, can nurture compassion). I had an experience as a kid in Germany like Paula did. A neighbor down the street used to talk about the good old days when you could leave your bike on the street and not worry about having it stolen. Then, when I studied in the Soviet Union, a friend told me about the neighbors who used to disappear in the night. Being the naïve girl I was, I asked why people didn’t “do” something about it. His response is one I’ll never forget: “Fear. You don’t understand the power of fear.” Then, of course, I’ve always been bothered by stories in the Book of Mormon where the “good guys” use deadly violence. I’m not a fan of anything that glorifies taking a life.Political, philosophical and religious belief systems that worry me tend to have three things in common: (1) a claim there’s only one true and good way to live; (2) it, whatever belief system “it” is, is that one way; and (3) there’s no room for variation.I know that doesn’t directly answer your question, Susan, but that’s all I have. Paula: Wow. No wonder we all write crime fiction, where we can ensure that justice is served. One way or another. Robin: I have long maintained writing crime fiction is therapy. It’s a world we can control where justice prevails, one way or another.The answers to this question make me prouder than ever to be a Miss Demeanor.

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Weddings

In a little more than week, my daughter is getting married. She is a beautiful and vibrant young woman and I can already picture her twirling around the dance floor. There will be tons of food and drink and a live band and a signature cocktail. My sons will cart me down the aisle, my husband will make a toast, and I feel confident that at some point I will collapse into tears (of joy).   Several of my friends (or one of them, anyway) have remarked on how calm I’ve been. That has a lot to do with Pinot Grigio, and the fact that my daughter’s very well-organized. But mainly it’s because I feel so confident that she’s marrying the right guy. How do I know? It’s a well-known fact in my family  that I’m terrified of making left turns. It’s a phobia. If you’re ever stuck behind me at an intersection, you should just settle back and relax because nothing is happening soon. But even more than making left turns do I hate driving on rotaries, which is like a left turn times three. So a couple of months ago, I was up in Boston, visiting my daughter. There was a doctor’s appointment involved, and I was anxious about that, although everything was fine, but at the end of it all, I had to drive her car back to her house. Her car is more of a truck. But Alex said to follow him and everything would be fine. So I put on the GPS, of course, but meanwhile I locked him into my view and I figured that I was not going to lose him. He started to drive, and my GPS kept barking me and I realized he was taking a different route than the one my phone was insisting I take. We wound our way all around, and when I pulled into the driveway, I realized he’d mapped out a route that required no left turns. He’d gone out of his way to make me feel comfortable. Now, who would not want her daughter marrying such a man? Happy Wedding Day, Kathy & Alex!   

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The Emotional Craft of Fiction

“The sad truth is that television commercials can stir more feelings in thirty seconds than many manuscripts do in three hundred pages.” So writes veteran literary agent Donald Maass in his spellbinding book, The Emotional Craft of Fiction, and he goes on to explain how writers can learn to help their readers feel.  As someone who has spent a fair amount of time crying over commercials, I found his advice compelling, and I’ll certainly apply it to my next book.  Meantime, here are some more quotes: “Why is it important to look at fiction writing through the lens of emotional experience? Because that’s the way readers read. They don’t so much read as respond. They do not automatically adopt your outlook and outrage. They formulate their own. You are not the author of what readers feel, just the provocateur of those feelings.” “Who your characters are, how they behave, what they believe, how they think, what they do, and the ways in which they feel are in your control. Why create characters who only raise shrugs?”  “What makes them classics? Artful storytelling, sure, but beyond the storytelling, classics have enduring appeal mostly because we remember the experiences we had while reading them; we remember not the art but the impact.” “When a plot resolves, readers are satisfied, but what they remember of a novel is what they felt while reading it. Hooks may hook, twists may intrigue, tension may turn pages, and prose may dazzle, but all of those effects fade as quickly as fireworks in a night sky. Ask readers what they best remember about novels and most will say the characters, but is that accurate? It’s true that characters become real to us but that is because of what they cause us to feel. Characters aren’t actually real; only our own feelings are.”

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In praise of House Hunters

My boss, who is given to making profound and occasionally disturbing pronouncements, once told me that every conversation is a power play. (We were having a conversation at the time.) I’ve found this very useful to think about when writing dialogue. And it’s part of why I enjoy the TV show House Hunters so much. You’ve probably seen it at some point or other. It’s on HGTV and it’s half an hour long and its about people, usually a couple, who are looking for a house. Invariably one member of the couple wants one type of house—a traditional fixer-upper—and the other wants modern. Or one wants to spend $300,000 and one $400,000. Or in the episode I watched recently, one was very concerned that his house not be haunted and his wife didn’t care. As a New Yorker, the first thing that strikes me is that if I lived anywhere else in this country, except San Diego, I could get much more house for my money. But why be bitter? The key thing that fascinates me is how these couples make their decisions. They are always so diametrically opposed that compromise is not really possible. One person usually has to give in. So who is that person? I love to try and predict. I’ve noticed that the better looking person will often get her way. Alternatively, the one who makes the most noise will often buckle. And everyone wants an open concept kitchen. As a mystery author, this sort of negotiation intrigues me. Power intrigues me. How do people go about getting what they want? How hard will they push for it? Might they be willing to kill for it?  

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Pitching

This past weekend I was a workshop leader at the New York Pitch Conference. I’m in charge of the women’s fiction/literary fiction/memoir group, so I get to hear many wonderful stories. Many that I hope to read in book form at some point or another. I am continually awed by the diversity of stories out there. Just in my group there were people from India and Ghana and Lebanon and England. Professors and Ph.Ds. People who’ve survived some terrible things and others who’ve survived Hollywood. People who seem very polished and people who are scribbling notes on bits of paper. Mothers and daughters and some really odd people. It’s also fascinating to me how individual this publishing business is. Every editor reacts to each pitch in a different way. The very same pitch will be met with enthusiasm from one editor and blank indifference from another. They like for you to have a large social media presence. They like to know you’ve worked hard on your story–whether by studying writing or having pieces workshopped by beta readers. They like for you to have good comps. They like all these things unless they don’t really care because they like your story so much. Or they like you so much.  Or they like your shoes. It’s a mystery.  But I’m happy to report that almost every member of my group got a request from an editor, and most got more than one. Now the next part of the process begins, the revising and waiting and hoping. Fingers crossed!    

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Reviews: To Read or Not To Read

My third thriller, Lies She Told, launched Sept. 12 and the reviews have been coming in fast and furious. Last I checked, there are about forty-five on Amazon and 470 reviews/ratings on GoodReads. There are also reviews on Instagram, which I am learning about and just started obsessing over.  And I am reading all of them.  Why? The true artist might ask. The book can’t be changed now. As long as I feel good about my work, what does it matter what other people think?  There are a couple reasons that I read nearly all my reviews. The first is that, like any insecure creative, I must know what people are saying about my brainchild and, by extension, me. I’m as bad as any high school girl with a new haircut. I’ll pretend that it doesn’t matter if the popular kids think my bangs are cute because I like them, but I desperately want the validation.  The far more important, non-ego-centric reason that I read reviews is because they are the second part of the conversation that I initiated with my imagined readers when I started writing my latest novel. I told a tale intending for particular themes to emerge and for my characters to resonate in certain ways. I put in twists and turns that I crafted to be believable red herrings. I aspired, above all, to entertain. Now the readers get to react. I have to listen to their interpretation of the story. I need to know what I succeeded in communicating and where I might have fallen short.  Crossing my fingers that I’m in for a good conversation. Do you read reviews?   

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Where do you read?

I’ll read anywhere, though I particularly enjoyed reading during my last vacation. I went to St. Lucia and finished Liane Moriarty’s Big Little Lies, which I truly enjoyed. The hype is worth it.  So is the hype about St. Lucia. Here I am reading my own book in this picture because The Widower’s Wife is coming out in paperback and, you know, marketing.Most of the time, I was actually reading Big Little Lies, though.  Inspired by my vacation reading, my challenge for The MissDemeanors this week was to show themselves reading in a favorite place. See their photos below! Tracee de Hahn: I love to read in cafes and particularly in cafes in cities, and even better in a cafe in Paris near a bookstore where I have bought a new book. I’ve spent many many hours and days reading at one of the cafes at St Michel, just across from this Gilbert Jeune bookstore. As a testament to this, I have many many books in French which I apparently couldn’t live without. Most histories. Surely one day I will read them all! (Cate: Tracee, C’est magnifique! J’espere qu’un jour je pourrai aller visiter les librairies Francaises.)  C. Michele Dorsey: I have loved reading at the beach since I was old enough to read, although I will read anywhere. Here I am at Race Point Beach in Provincetown, Massachusetts enraptured by Brian Thiem’s first book, “Red Line” using a No Virgin Island bookmark. (Cate: Red Line is such a great read, as is Michele’s acclaimed, Publishers Weekly STARRED reviewed, Sabrina Salter mystery series.)    Susan Breen loves reading in the woods. (Cate: Who wouldn’t love reading in these woods? Is one of those trees where Maggie Dove found Marcus Bender? ;-))     D.A. Bartley: Reading Ruth Rendell’s Dark Corners in front of Blue Polyvitro Crystals by Dale Chihuly at the New York Botanical Garden. (Cate: Great SETTING!) Gardens are favorite places of the MissDemeanors. The picture below is of our lovely agent and acclaimed author Paula Munier reading in Cherasco Italy. (Che Bello!)  Robin Stuart was recently reading in Sooke, British Columbia (the importance of will be revealed in an upcoming blog post).  When traveling, she reads outside–cafes, poolside or, as in this case, beachside. When she’d home, she most often reads in bed where the yard work can’t distract her.  (CATE: I want to know what was happening in that intriguing setting)  And below is a favorite reading nook of Lefty Award winning author Alexia Gordon. All you need to know is that it has good food and beverages. What else does a writer need?Tell us, where do you read? 

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