Tag: film

film

Oh Christmas Tree?

 A photo of FLOTUS’s White House Christmas decorations—a phalanx of up-lit, bare-branched white trees lining a black-tiled corridor illuminated only by a few pendant lamps and the lights on an equally dark Christmas tree at the corridor’s far end—generated lots of reaction on social media. Responses pretty much evenly split between “love it” and “hate it” (although I know of one person who said, “at least it’s different”). Many assumed that politics informed the reactions because, hey, everything is about politics these days. Right? Wrong, in my case. I voted “hate it” not because of political affiliation but because of—scary trees. I don’t think hip or trendy when I look at the photo of stark branches emitting an icy vibe. I think, “When are the flying monkeys going to attack?” “Where’s the Snow Queen hiding?” Jack Frost? The Abominable Snowman? Snow White’s wicked stepmother? The cast of an M. Night Shyamalan movie? Notice a theme? Forests, the woods, places filled with scary trees are places where evil lurks and bad things happen. They are not locations of holiday merriment. “Little Red Riding Hood”. The Princess Bride. “Hansel and Gretel”. The Blair Witch Project. The Cabin in the Woods. Deliverance. Do any […]

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Next Stop: Dysfunction Junction

  One of my favorite TV series is “Midsomer Murders,” the British cozy-cum-police procedural set in small town England, now in its twentieth season. Other, newer favorites include “The Brokenwood Mysteries,” a darker cozy-cum-police procedural set in small town New Zealand, and “Hinterlands,” so dark it’s actually Scandi-noir masquerading as village fare, set in small town Wales. All three shows share commonalities. They focus on police investigation of crimes in rural areas with adjusted per capita murder rates that rival Chicago’s. The biggest difference between the three is the degree of dysfunction in the main characters. Midsomer’s DCI Barnaby is an ordinary guy, a well-adjusted everyman with a well-adjusted wife and daughter. His home life is ordinary, if not outright idyllic. The drama and trauma occur on the job. Brokenwood’s DSS Shepherd, on the other hand, is a man with a complicated past that includes several ex-wives and at least one dead one. You get the sense he’s experienced a lot of unhappiness in a life accented by the show’s country/alt rock soundtrack. Hinterland’s (the darkest of the shows) DCI Mathias makes Kurt Wallander look like the president of the pep club in comparison. Devastated by the death of one of […]

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Bad boys, bad boys, whatcha gonna do…

 Another confession. I’m crushing on men who don’t exist. No, I’m not delusional. I have fictional crushes. It’s a thing. Google it. I watched Father Brown, the BBC series streaming on Netflix, last night while doing my taxes. (Filed ’em at 11:55 pm–all hail the Queen of the Last Minute.) By the time I hit send in the e-file program, I realized (read: admitted) I had a crush on Inspector Sullivan and Hercule Flambeau. An odd dichotomy to crush on–a by-the-book law enforcement officer and a ruthless master thief. But they have something in common. They’re both Father Brown’s antagonists. Inspector Sullivan reminds me of Inspector Javert. Not actually a villain, but a man so dedicated to law and order he’s sometimes blinded to the greater cause of justice. Flambeau, on the other hand, is an antagonist along the lines of Professor Moriarty. A criminal mastermind, he’s Father Brown’s true nemesis. What, aside from the skill of the casting director in choosing talented, attractive actors, makes antagonists on-screen (and in-print) crush-worthy? Or at least appealing? Unforgettable? What draws us to the Dexter’s, Jokers, Moriartys, Voldemorts, and, yes, even Lucifers of the fiction world? I doubt there’s a single answer. Each reader and viewer has their own […]

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