Writing is editing. Right?

 Writing is about editing. We all know that. However, that doesn’t answer the question when to edit. There are a few basic options.Write a draft straight through, perhaps making notes on things to be changed, but use a one directional process. Don’t second guess yourself.Write a good chunk of the manuscript and then revise. This level of revision may involve deleting parts, adding parts, re-ordering scenes, and, of course, fiddling with words.Revise each page as you go. Perfect the page then move on. Pros and cons can be argued for each process.Write straight through and you risk going far down a path you later eliminate entirely. On the other hand, no time was lost in detailed revisions prior to scrapping entire sections.If you revise section by section too much time can be put into the earlier sections and less into the end. Sometimes it shows!Aim for perfection and prevent yourself from moving on. What happens when those perfect sentences end up not belonging in the manuscript at all?  I suspect that authors evolve. For example, the more experience you gain the more confidence you might have in a story arc (and therefore revise each page to perfection as you write). Sometimes the story itself drives the path – the words are flowing and stopping to revise is counterproductive. What is your early editing path? Revise, revise, revise or first reach for the end? 

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Where Do You Hide Your Easter Eggs?

This week’s posts have been my nods to using real-life little details in my scene settings. Sometimes they’re a little inside joke or a visual tidbit that’s probably only meaningful to locals, kind of like easter eggs in movies. I do it to add authenticity. Or because I find whatever it is either intriguing, inspiring, or funny. Tell me, my fellow Miss Demeanors, do you include locale-specific easter eggs in the settings of your books? Tracee: Absolutely! Since I write about a real place – with fictional places added in – I do like to add what you call easter eggs. Partly to make the fictional places ring true (I certainly didn’t want to have bad things happen at my husband’s actual Swiss boarding school, but parts of his school made it into my fictional one). I like to provide some real signposts – monuments, or views, for example. I also use food as a bit of authenticity. A Well-Timed Murder opens at Baselworld, and I used a great deal of the real setting there. Big easter eggs for those who follow watches and gemstones! Alison: As a reader, there’s nothing better than feeling like an insider because you know that the food, the place, the thing is real. There’s no question that Blessed be the Wicked is full of easter eggs, from a lunch place in Ogden to the what neighbors bring to a funeral luncheon. (Hmmm, maybe I’m obsessed with things I can eat.) I also agree with Robin that location can be an easter egg. None of the action in my first book takes place in heavily-touristed spots. The backdrop is real Utah with real people. Of course, as Tracee pointed out, it is fiction. However, Mormon muffins with honey butter are completely and totally real and are completely and totally delicious. Alexia: My setting is fictional but I try to mix in details about things that really exist. For example, I’ll use the names of two real brands of liquor with one fictional. The biggest compliment to me is when someone thinks one of my inventions actually exists. Someone once asked me where they could by Waddell and Dobb bourbon. Susan: Yes, and it’s a lot of fun to do. Having been part of the church world my entire life, I’ve grown accustomed to some of its idiosyncrasies (which I love). I had a great deal of fun organizing a meeting of the Dining Out club in Maggie Dove’s Detective Agency, and people in my church have laughed over that. And then there are all the details about life in my little village. Michele: Part of the fun writing about St. John is that it is a Caribbean island populated by strong individuals who have chosen a “way out” place to live, sometimes known as dropouts. One tee shirts boasts, “We’re all here because we’re not all there.” I have an abundance of easter eggs to share in my Sabrina Salters series. The fork in the road, which is really a large metal fork, decorated for each holiday. The stop sign that says “in the name of love” under STOP. Speed “humps” not bumps. Readers who have been to St. John love these insider details and those who haven’t are more intrigued than ever by the island’s idiosyncratic charm.   

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Little Gems

Any art student can tell you San Francisco is and has been a haven for visual and performing artists. The city has museums for everything from cartoon art to statue gardens. There are LED light displays on the Bay Bridge, and on the windows of the top 6 floors of the City’s tallest building. The music scene is as lively as it ever was, from string quartets playing in the subway stations to local groups who become major headliners, like Train. The local secret is the art you find in passing. Maybe it’s not so much a secret as something people take for granted. Doesn’t everyone walk past a bronze statue of a man with multiple heads, arms and legs on their walk to the office? Or come up from a Muni station to a stage hosting a hip hop dance group for one random night on Market street? I really like these little gems tucked in not-so-obvious places. I like them so much, I put at least one in each of my books. 

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Details, Details

Welcome to Day 2 of our local’s peek at San Francisco. Did you know the City has not one, but two subway systems? The Municipal Railway, known more commonly as Muni, runs beneath and around city limits. The other, the Bay Area Rapid Transit system, aka BART, connects surrounding suburbs to a main artery through downtown San Francisco and beyond. Anyone using contemporary San Francisco as a setting has to acknowledge the fact that it’s not an easy place to drive. We’re not quite Manhattan, in terms of congestion, but we’re pretty darned close. Muni is a way of life for locals thus it’s referenced in my novel on submission and plays a role in my current work-in-progress. No one would claim Muni rivals the subway systems of Europe or New York but it’s continuously improving. New lines are added all the time. New cars, too. And some special older cars. There are two 100% above-ground metro lines that celebrated their opening by interspersing historic street cars brought over from Italy. The cars were built in 1928 and they shudder and rumble in a way the modern cars don’t. They have quieter engines than the modern metro, though. Whether you’re a passenger or a passer-by, the dominant sound is metal-against-metal of wheels on the tracks, similar to a cable car. By the way, no local uses the word “trolley” in reference to city transportation. We have our iconic cable cars, we have street cars (the metro on above-ground routes), we have trains (the metro), and we have buses. “Trolley” is a verbal miscue that can either denote a tourist, or disrupt the authenticity of San Francisco as a setting. On the subject of words, another phrase to avoid, unless your character is a tourist, is “San Fran.” And if you say or write “Frisco,” well, you can show yourself out. I don’t often hear the word “subway” when folks talk about the San Francisco metro system. The word “Muni” is all you need to sound like a local. 

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Scene of the Crime

Setting is a conscious choice each author makes. I’m a “write what you know” type so I set my stories in and around San Francisco. It’s risky. I imagine New York-based authors and my Bostonian writer friends face the same risk. That risk is preconceived notions about the location. When I say “San Francisco,” what comes to mind? The Golden Gate Bridge? Fog? Fisherman’s Wharf? As someone who’s lived in or within spitting distance of the City By The Bay for most of my life, those images are rarely what I see. Okay, I do see the GGB, as we call it (because, really, who has time for all those syllables). My day job office has some pretty spectacular views and that’s one of them. But fog isn’t nearly as prevalent as it once was, thanks to climate change. And I, like most locals, need a reason to go anywhere near the Wharf. My San Francisco is different. The neighborhoods I frequent. The types of people I’m around. The City (yes, with a capital “C”) is almost like a character itself. Like other iconic cities, there are landmarks that never change. There are still pockets of the City of Dashiell Hammett. But it’s also constantly evolving. That’s one of the reasons it makes such a great location, that co-mingling of old and new, sometimes literally side by side. For the next couple of days I’ll show you real locations that inspire my settings. Along with my heart, San Francisco is a great place to leave a trail of clues. 

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#My5WordLifePhilosophy

Earlier this week, I was reading through Twitter and came across a hashtag that intrigued me:  #My5WordLifePhilosophy.  The answers ranged from “Animals are better than people” to “Judge me when you’re perfect.” And so on. Naturally I wondered what my fellow Miss Demeanors would have to say on the topic and here it is:   Paula: Never give up, never surrender.   Alison: Think outside of your box. Tracee: No regrets. Robin: We each have our paths. Cate: Empathy is your greatest superpower. Michele: Your life is your story. Me (Susan): Surround yourself with good people. Incidentally, today the hashtag #ifIwereamixeddrink is trending. Ponder that one! (I’m a Manhattan.)

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Stories

If you are a person who loves stories, which I am, going to an orphanage is like going to the mother-lode.  Every child there has a story. They are sharing those stories all the time, whether you are wandering around a mustard field, or going shopping (where there was a cow in a store) or looking at mango trees and gravestones, or sitting around a fire. One of my favorite things to do was to sit at a bench and watch the kids play badminton, and invariably some cherub would wander over, sit next to me, and begin to tell me a story.  One afternoon I went into the dormitory where Rosey and her friends live and they showed me their books of pictures. These kids don’t have many possessions in their lives, but they have pictures of people who mean something to them and every single child there has one of those albums. (When I went home, I sent them a box full of pictures, which said Fedex box is still stuck somewhere outside Delhi. That is another story.) Most of the stories are somewhat harrowing, as you might imagine, and sometimes the children are sad, but for the most part they are happy and energetic and vibrant and all good things. Partly, I suspect, this is because they are young and resilient. But I have to give a lot of credit to the people who run this orphanage. I’d been communicating with the people at the Good Shepherd Agricultural Mission for more than 3 years, and reading their newsletters, and I felt I had a good sense of who they were. But I’m old enough (and have read enough Charles Dickens) to know that good people are not always good, and religious people do not always act the way they should. However, from the moment I arrived on the mission, I was struck by the love and kindness with which each child there was treated. There were more than 100 children, which makes for a large family, and yet it felt like a family. You could just see the trust in the children’s eyes. When I left the orphanage, to head back to Delhi and then to home, I had the true sense of having left a part of my heart there. But the stories will stay with me forever.  

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Fires

You’ll notice that in every picture of me from India, I’m wearing a puffy pink coat. That’s because I was freezing the entire time. It wasn’t actually that cold. Probably in the 40s. But there was no central heating. So whatever it was, it was, unless you could get a seat at the fire. How I came to appreciate fires! The central fire, and the hub of all conversation at the orphanage, was in an old mango tree that had toppled over in a storm.  We would all huddle together on a log and watch the flame. (I was huddling. Most of the kids were trying to jump over the fire.) My hair, my clothes, my skin all smelled of smoke. Periodically someone would go off with an ax and come back with wood, which they would throw onto the fire. Time passed in a different way than I’m used to. You could spend hours just chatting with the people who came and went. The coziest fire was in the library, in a fireplace. Here many of the kids congregated in the afternoon. (I should say that I was at the orphanage at an unusual time. For most of the year, the kids would be at school.) Here I played an intense game of Monopoly with Rampal (and we came in second). I was also introduced to a lot of good books, such as the Percy Jackson series. The most exciting fire was in the jungle. One night, we all crammed into a jeep and drove into the jungle, which was only about ten minutes away, but felt like an entirely different world. There was a huge vat filled with curry, that the cooks had been working on all day. Music was blaring. A lot of Justin Beiber. (It struck me funny that the kids used the flashlights from their iphones to navigate their way around the jungle, but ate food cooked over a wood fire.)  Then there was the fire I went to first thing in the morning. At 7:00, music would come over the loud speaker–uplifting hymns. Soon thereafter a girl would knock on my door. “Your tea, aunty.” Then I would make my way over to the kitchen fire, where Maya and some others were cooking the toast. I’d sit there and chat until it was time for breakfast.  When I got back to Delhi, the first thing I did was take a long, hot shower. It felt great, but I missed the warmth, communal and otherwise, from those fires.

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Names

When I arrived at the Good Shepherd Agricultural Mission, I was warmly greeted by a great cluster of children, each of whom hugged me and told me their name. A minute went by. Then came the first question,  “Do you remember my name, auntie?”  As a teacher, I have long known the value of remembering students’ names.  In fact, I make a practice of calling my students by name over and over again during the first few classes, because I believe that if you keep calling people by their names, other people will call them by their names too. They will remember the names, will become friends and the class will be a success. All of which is to say, I desperately wanted to remember each child’s name. But it was so hard. There were so many names to remember, and the names were so unfamiliar and even if I remembered them I didn’t say them right. Rosey and Shane and Gladys were easy to memorize. But then there was Roshni and Khushboo and Jyotika. I spent the first day fumbling around and everywhere I turned was a beautiful child looking at me and saying, “Do you remember my name, auntie?” That first night I thought a long time about the issue, and in the morning I had a plan. I went to breakfast (oatmeal over toast) with my notebook and I asked each child to write down his or her name with some distinguishing characteristic. Immediately they leapt in. Rampal wore a gray hat. Indro had a colorful hat. Ayushi had a puffy watch and Jyotika a scar on her chin. I filled up pages (one of which is in the photo). An orphanage is a communal place, and no one makes a decision on her own. There was much discussion over each person’s distinguishing characteristic. Was her nose unusual? Were eyes a particular color? Did she look like she came from Nepal? After that, every time someone came up to me and asked if I knew her name, I could at least pause and point to the notebook. It bought me some time and good will. By the time I left, I could pick out everyone pretty well, and since I’ve been back I’ve gone over all my pictures and written names on them to be sure not to forget. Just last Sunday, Rosey called me and her first question was, “Do you remember me, Aunty?” Yes Rosey, I remember you and Anthea and April and Raymond and Rampal and…”  

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India

How I happened to go to India this past January is a long and convoluted story involving tragedy, triumph, stubbornness  and one very sweet young woman at an orphanage who I’ve been sponsoring for the last 3 years. Since I first began communicating with her, Rosey has been gently suggesting that I come for a visit, but getting to India is not an easy proposition. She lives in an orphanage 300 kilometers to the east of New Delhi, near the border with Nepal. To say that it is remote is putting it very mildly.   At first I planned to fly from Delhi to Pantnagar, which would have taken me somewhere close. But that plane only leaves 4 times a week. And it’s often canceled, which, in fact, it was. So then I decided to take the train. When you are going to India, many people have advice for you, most of it harrowing, so when I got to the train I didn’t know what to expect. (I should say that I had hired a guide to drive me to the station. He deposited me in my seat and said, “Don’t move.”) Fortunately, almost all the signs in India are in English. I knew that Haldwani, the stop I was getting off at, was second to last and that it was 5 hours away and that one of the men who runs the orphanage would be picking me up. With Rosey! Still, it is a little daunting to be a middle-class woman from Westchester, NY, with all that means, on a train going into the heart of India. The fabulous thing was that they kept serving food, and I kept eating it. There was cereal with warm milk. There was a very tasty vegetarian thing. Also very tasty desert, and tea. The Indian tea is the best tea I have ever had. Finally we got to Haldwani. It is not a metropolis. I stepped out and looked around and saw no one who looked like Clifton, from the orphanage, who I knew to be very tall, white and Australian. There was no one who looked like Rosey either, who I knew to be very small, beautiful and Indian. I felt a little like Cary Grant in that scene in North by Northwest when the cropduster is coming after him. I felt the teeniest surge of panic, except there was no way out. The next train back to Delhi would not leave for hours. So I followed the direction in which other people were walking and then I said a prayer and then lo and behold I heard a very tall Australian man saying, “Susan?” I had been found. And what an adventure I had. which I will relate tomorrow.

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