Thrilled by ThrillerFest

It’s been a couple of weeks but I’m still enjoying the afterglow of attending ThrillerFest for the first time. From meeting a few more of my fellow Miss Demeanors to hallway chats with some of my literary heroes, I made the most of the experience. How, you may ask? To paraphrase literary publicist Sara Wigal, by saying yes. When my agent invited her clients to an opening night cocktail party, I said yes. In addition to finally meeting D. A. Bartley, Alexia Gordon, and Cate Holahan in real life, along with seeing Susan Breen again, I met Lisa Gardner (and her mom) and Lee Child. Susan and I somehow ended up in a conversation with Mr. Child about rats. It must have been memorable to him, as well, because he greeted both Susan and I by name on separate occasions throughout the weekend. Life achievement unlocked.
 At every opportunity to speak with the authors who generously shared their time and experiences on panels, I said yes. This is how I had multiple hallway conversations with Lisa Gardner, spoke with Meg Gardiner, and fangirled over Walter Mosely. To those people who took photos of my conversation with Mr. Mosely, feel free to post them on our Facebook page.
 When riding in an elevator with A. R. Shaw, she asked if I was published and I told her about my forthcoming short story. She said, “Follow me.” I said yes. I ended up on a live broadcast of the Authors On The Air radio blog streamed from the Strand’s onsite bookstore. When several authors, including a best seller, asked me if I’d be willing to give them insights into cyber crime topics, I said yes. I’m now fielding questions and having a blast. Saying yes to the Fest has kept the thrill going as I power through the homestretch with my latest manuscript. I hope ThrillerFest inspired you, too! 

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A Rose, by Any Other Name. Or Jane? Maybe Tiffany.

As I’ve been touching up my current WIP it occurred to me that the names of a couple of characters were combinations of past pets and close friends. It wasn’t a conscious pattern, it just worked out that way because I liked the way the names sound when I say them out loud. Tell me, my fellow Miss Demeanors? How do you come up with character names? Michele: Sometimes when I read a book, it strikes me that a character’s name seems off. A thirty-year-old woman is unlikely to be names Linda. I go online to the year of the character’s birth and peruse the first twenty-five names. From there, I look at where the story is located, what’s the heritage of the character’s family, etc., and take it from there. I also try very hard not to duplicate the first initial of the name of any character because I’ve read it’s confusing to readers and tend to agree. Robin:  Good point, Michele! I also look out for similarities in syllables. Real people around me have as few as one syllable and as many as 3 in their names. I try to mimic that real-world asymmetrical pattern in my cast of characters. Susan: I torture myself over names. If a name’s not right, I can’t more forward and so I spend a lot of time looking through baby names and so forth. I think my favorite character name was Arabella Hicks, who was the protagonist of The Fiction Class. I imagined her mother to be a fan of Georgette Heyer and inspired by one of Heyer’s best heroines. But for my protagonist, Arabella, the name was a nightmare. She was not a romance novel sort of person and would much rather have been named Jane. I liked the idea that the conflict between Arabella and her mother went back to the moment of her birth, and had to do with their two differing ways of seeing the world. And I got all that from her name. Tracee: Susan, I also loved your main character’s name in The Fiction Class! Names are critical. I often use a placeholder (particularly for minor characters) in a draft. A name that I ‘like’ but I know isn’t exactly right. With my books set in Switzerland I also run the names by my Swiss husband. I may think a name sounds right, and have done the research about names of a certain era, etc. but my husband has a local different ear. He will first quiz me about the character’s parents, and education, and place of birth (city or region), religion, and then be ready to discuss. I should confess that I once named a minor character in a book (first name) after a friend who was the inspiration for the character’s physical description. The name was so perfect that I forgot it was her real name and left it in that way. No harm done, but I only realized this in the middle of a publish talk when the question of names came up, and how closely characters are based on people I know. Alison: I’m a huge fan of the social security website. I use it a lot for background characters. Because my books take place in Utah and the larger LDS community, I love using names from Mormon history and scripture. Detective Abish Taylor, my protagonist, got her first name because Abish is one of only a handful of women who are referred to by name in the Book of Mormon. I wanted her to have deep Mormon roots, so she’s also a direct descendent of the third President of the Church, John Taylor. One of my favorite characters (and all around delightfully bad guy) has a secret nickname based on Orrin Porter Rockwell, who was a private body guard to both Joseph Smith and Brigham Young. A famous–perhaps apocryphal–story about Rockwell has the sharp shooter defending himself on charges of trying to assassinate the former governor of Missouri by pointing out to the court that he, Rockwell, “never shot at anybody, if I shoot they get shot!” Alexia: I often use street signs/place names. I use baby name websites most commonly. Once in a while I use names of people I know. I’ve auctioned off a character naming opportunity once. Sometimes a movie inspires me. Gethsemane Brown is an homage to Cleopatra Jones. Occasionally, a name will pop into my head out of nowhere. You reminded me, Michele, I also use the Census archives to find names that were popular during certain eras. Cate: I use baby name finder to find names with etymologies that evoke the character. I also use the census to find names that were popular during certain times or for certain ethnic groups. I also tend to change my names. I start off with one and then decide, during the course of writing, that the character is really more like someone else. How about you, dear reader? How do you go about naming your characters? 

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A Little Help From My Friends

Have I mentioned before that writing is a team sport? Sure, sure, they’re my hands at the keyboard to make the magic happen but every now and then I need a sounding board. My regional chapter of Mystery Writers of America invited me to submit an article to our monthly newsletter. They asked for my expert view on cyber crime topics, which I’m more than happy to share pretty much anytime, anywhere. The challenge? They left the topic up to me. They gave me the prompt of common misconceptions and/or how to get the subject right. As a veteran investigator, my point of view is different from yours. I know what I know. And I know what I’ve noticed when others write about technical crimes. But that still left a lot of options. I couldn’t decide how to narrow it down to a single topic. There were so many ways to go. I did what any mature adult would do. I went out to dinner. Between the salad and the entree, I threw the question to my dining companion. Conversation turned to depictions of cyber-y things in pop culture.  Within seconds, I found myself sliding my soapbox out from under the table and getting ready to climb on board. “You know what drives me crazy?” I said. “No, but whatever it is, that’s your topic,” my companion answered.  My I’m-about-to-make-a-point finger froze mid-waggle. It landed on my lip as I pondered whether it would be rude to start typing away in the Notes app on my phone. 

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A Few Words About Words

I’m seeing lots of tweets and blog posts about word count these days. What’s interesting to me is there seems to be a lot of angst about cutting down manuscripts to hit the sweet spot of “not more than” 90,000 words for mysteries and thrillers. I wish that was my problem. Cutting is easy. At least for me. I’ve spent years learning to tailor reports and presentations to executives: make your point, make your ask, take questions, using as few words as possible. On the one hand, it’s made me great at pitching. One-age synopsis? No problem. However, my first drafts tend to run under 50K words. My challenge during revisions is beefing up the word count without slowing the pace. Or adding too much fast-paced action and giving the reader a heart attack. So what do I do? Ignoring the word count seems to work well for me. In first drafts, I just get the thoughts down in any crappy way I can. During revisions, I clean it up. I take out the placeholder bad sentences I bashed out in a rush because my commuter train was pulling into my station, like “MC and other person argue about x.” Those placeholders get turned into full scenes. I’ve learned to remove technical jargon and replace the terms with normal human words to convey the same ideas. Subplots get beefed up, others get dropped. And so on. My wonderful agent also has a way of asking a simple question that inspires me to add new scenes or add depth to existing scenes. By the time I finish with the major revisions, I end up in the right neighborhood for the desired word count. I guess my secret is no secret, I just try to relax and tell the story. The words find a way.
 

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Nature or Nurture?

Are writers born or are we made? Writing is a compulsion for me. It’s something I did long before I had an agent, because I enjoy it. It feels like a release. I also enjoy creating something out of nothing. I imagine it’s a similar feeling that craftspeople have when they work on a piece and watch it take shape.
 I was pondering this question while looking at family photos. The living room of my parents’ house was overshadowed by bookshelves. Here’s a glimpse. That’s my dad with our dog. The photo only shows half the bookcase. It was so large, I don’t think there’s a single photo that shows the whole thing. My dad built the shelves when we moved in and my parents filled them through library book sales, garage sales, gifts, and, of course, book stores. There were titles from a variety of genres but my dad was partial to thrillers and history. My mom enjoyed memoir. My brother liked horror. I would read pretty much anything put in my hands but I loved mysteries. By the time I moved out, I’d read nearly every book on that wall. It was kind of a family competition.
 Thinking about it now, there’s a strong connection between what I grew up reading and what I now write. Did my family influence my love of the written word? Absolutely. But I also recall writing mysteries from an early age, hoping to entertain my parents. So which came first, nature or nurture? I honestly don’t know. Why not both?
 

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Say Hello To Our Imaginary Friends

I did a speaking event this week which got me thinking about my days as a theater kid in high school. Back then I was taught to play to the back row, where folks wouldn’t be able to hear as well. One drama went so far as to walk us through imagining a particular audience member who’s hard of hearing, creating a backstory for the character. I’m wondering if any of you have an imaginary reader in mind while writing or promoting your books? Is that typical?
 Paula: I have a friend I always think of my audience. I’ve known her for more than 30 years, and while she’s not a writer, she is a voracious reader across many genres. I know the kind of story she likes, the kind of reading experience that she most enjoys. I think of her as the personification of my ideal reader, so when I feel lost in a story (as I often do), I ask myself if I’d be boring Sandy about now. And what I need to do to keep her turning the pages. Susan: One of the most difficult things about teaching adults, which I do, is that if you are boring–even for a minute!–they are likely to take out their cell phone or just not come to the next class. So I often ask myself, as I’m writing, if my class would be interested in what I have to say. This has led me to tighten up a bunch of scenes and to add a jolts of humor, whenever possible. Tracee: I don’t have an imaginary reader in mind to the extent that Paula does. I think I’m more in line with Susan and her ‘audience’ i.e. the crowd that has other things to do if we lose their attention. This is certainly one of the hardest parts of editing (let’s face it, that’s when the real decision making comes in). I may be in love with a scene or a character but what will ‘the audience’ think. It’s always a tough call because ‘the audience’ is composed of millions of individual opinions who won’t agree 100% on anything. Cate: I picture my good friends reading it, my father, and my brother. If I can write something that satisfies all of them, I feel like it’s probably a good book. I also give it to them to read before it comes out. 🙂 Alison: This is a hard question for me because when I started writing, I didn’t think my story could possibly make people mad. By the time I finished Blessed be the Wicked, and now that I’m working on Born in the Covenant (current title of book #2), it’s pretty clear there will be certain conservative members of the LDS Church who will definitely not like my book. I talk about too many things that one is not supposed to talk about. Having said that, I have a lot of family and friends who are LDS (as I was myself). I had to come up with a way to create a nuanced depiction of a religion that is usually painted in terms of black or white. When I read the manuscript aloud to myself, I thought about the people I care about who are on the more conservative side. My standard was: Did I express myself honestly, but was also respectful to view points I may not share? I have no doubt there are places where I failed, but I did make every effort to be honest and considerate at the same time. I guess, when you boil it down, I tried to engage in civil discourse.  Alexia: I don’t think of a specific person when I’m writing. But I do imagine non-specific women reading Golden Age Mysteries while binge-watching Midsomer Murders. That’s my “target demographic”. A friend I’ve known since high school recently told me she’s turned her quilting society into a Gethsemane Brown fan club, so now I also picture quilters binge watching Midsomer Murders. Michele: I do not have an imaginary reader in mind when I am writing. Maybe I should, but what I constantly check for is my own boredom. If I am bored by what I am writing, it will most certainly bore any reader, assuming I can even interest one. How about you, dear reader? Do you have an imaginary reader in mind while you write? Come join us on Facebook to share your thoughts!  

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A Tribe of One's Own

 There are lots of ways to learn to write. Classes, workshops, MFA programs, etc. teach story structure, how to show, not tell, and such. However, there are no courses on how to be a writer. No class teaches us how to get past the inevitable imposter syndrome, how to endure the anxious weeks and months while our books are out on submission, or help with ideas and support during promotion tours. This is where community comes in. In the publishing world, that community is most often referred to as “finding our tribe.” No one understands the inner workings of a writer’s mind like other writers. I expected that sense of camaraderie when I started attending writers’ conferences and joined my local chapters of Sisters In Crime and Mystery Writers of America. What I didn’t expect was the generosity and openness of those who make their living as a writer. Every author I’ve been fortunate enough to meet and talk with, including best-sellers and my own fellow Miss Demeanors, takes their tribe seriously. To a person, they’ve been quick to offer guidance and mentorship, share stories of their own dark and stormy days along with their bright and sunny ones, laugh together. I heard a phrase the other day that resonated with me – as we rise, we lift. That’s what a tribe does. We support one another, lifting up those who are just finding their path, even if only by being a cheerleader or shoulder to cry on. It’s never too early or too late to find your tribe. None of us have to go on this journey alone. And that’s what it is, a journey. Yes, when I write I’m often in my office by myself. But my tribe and I help each other enjoy the ride of being writers.    

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Plays Well With Others

Every now and then I see aspiring authors throw tantrums on social media. Another one happened last week, so epically ill-advised it went viral within the publishing community and beyond. Seems like a good time to remind folks that writing is a team sport. True, it’s one person’s rear end in the chair at a keyboard or notebook. But if you’re following the path of traditional publishing, you’ll work with freelance editors to polish your manuscript before querying. You’ll attend conferences. Pitch agents. Once you sign with someone, you’ll work with editors and publishers. Whether you’re agented or self-published, you’ll need to reach out to others to help you promote your work – book stores, libraries, media, etc. Ultimately, the goal is to interact with readers. What do all of these groups have in common? They’re made up of people. Lots and lots of them. What was true in grade school is still true in adulthood – how you treat others counts. Social skills are the fundamental key to advancement in any career. And to enjoying life. I know it’s hard. Writing a book – or two or three – can take a long time. At times, it’s frustrating. But unless you play well with others, you may never get invited to the sandbox to experience the good parts. 

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Where Do You Hide Your Easter Eggs?

This week’s posts have been my nods to using real-life little details in my scene settings. Sometimes they’re a little inside joke or a visual tidbit that’s probably only meaningful to locals, kind of like easter eggs in movies. I do it to add authenticity. Or because I find whatever it is either intriguing, inspiring, or funny. Tell me, my fellow Miss Demeanors, do you include locale-specific easter eggs in the settings of your books? Tracee: Absolutely! Since I write about a real place – with fictional places added in – I do like to add what you call easter eggs. Partly to make the fictional places ring true (I certainly didn’t want to have bad things happen at my husband’s actual Swiss boarding school, but parts of his school made it into my fictional one). I like to provide some real signposts – monuments, or views, for example. I also use food as a bit of authenticity. A Well-Timed Murder opens at Baselworld, and I used a great deal of the real setting there. Big easter eggs for those who follow watches and gemstones! Alison: As a reader, there’s nothing better than feeling like an insider because you know that the food, the place, the thing is real. There’s no question that Blessed be the Wicked is full of easter eggs, from a lunch place in Ogden to the what neighbors bring to a funeral luncheon. (Hmmm, maybe I’m obsessed with things I can eat.) I also agree with Robin that location can be an easter egg. None of the action in my first book takes place in heavily-touristed spots. The backdrop is real Utah with real people. Of course, as Tracee pointed out, it is fiction. However, Mormon muffins with honey butter are completely and totally real and are completely and totally delicious. Alexia: My setting is fictional but I try to mix in details about things that really exist. For example, I’ll use the names of two real brands of liquor with one fictional. The biggest compliment to me is when someone thinks one of my inventions actually exists. Someone once asked me where they could by Waddell and Dobb bourbon. Susan: Yes, and it’s a lot of fun to do. Having been part of the church world my entire life, I’ve grown accustomed to some of its idiosyncrasies (which I love). I had a great deal of fun organizing a meeting of the Dining Out club in Maggie Dove’s Detective Agency, and people in my church have laughed over that. And then there are all the details about life in my little village. Michele: Part of the fun writing about St. John is that it is a Caribbean island populated by strong individuals who have chosen a “way out” place to live, sometimes known as dropouts. One tee shirts boasts, “We’re all here because we’re not all there.” I have an abundance of easter eggs to share in my Sabrina Salters series. The fork in the road, which is really a large metal fork, decorated for each holiday. The stop sign that says “in the name of love” under STOP. Speed “humps” not bumps. Readers who have been to St. John love these insider details and those who haven’t are more intrigued than ever by the island’s idiosyncratic charm.   

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Little Gems

Any art student can tell you San Francisco is and has been a haven for visual and performing artists. The city has museums for everything from cartoon art to statue gardens. There are LED light displays on the Bay Bridge, and on the windows of the top 6 floors of the City’s tallest building. The music scene is as lively as it ever was, from string quartets playing in the subway stations to local groups who become major headliners, like Train. The local secret is the art you find in passing. Maybe it’s not so much a secret as something people take for granted. Doesn’t everyone walk past a bronze statue of a man with multiple heads, arms and legs on their walk to the office? Or come up from a Muni station to a stage hosting a hip hop dance group for one random night on Market street? I really like these little gems tucked in not-so-obvious places. I like them so much, I put at least one in each of my books. 

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