Tag: anthonys

anthonys

And the Winner is…

 Welcome to awards season! The Golden Globes, the NAACP Image Awards, the BAFTA Awards, the SAG Awards, The Academy Awards… Rotten Tomatoes lists about forty-one awards shows between September 2017 and March 2018. All focused on film and TV. Books win awards, too. Everyone’s heard of the Pulitzer Prize, the Nobel Prize, the Man Booker Prize, the National Book Award. These well-known literary prizes represent only a few of the accolades awarded to outstanding examples of writing. Many less well-known (although no less impressive) awards focus on particular genres. The Nebulas and Hugos honor achievements in science fiction in fantasy, The Edgars do the same for mysteries, and the RITA honors romance. As a mystery author, I pay the most attention to awards given to crime fiction: The Agatha, the Thriller, the Barry, the Lefty, the Dagger, the Anthony, the Nero, the Macavity…I’d be here until next award season if I listed them all. Crime fiction prizes are generally awarded at banquets, often in conjunction with conferences. The Agatha is presented as part of Malice Domestic, The Lefty is awarded at Left Coast Crime, the Anthony at Bouchercon, the Thriller at Thrillerfest. The conferences give readers a chance to meet authors, authors a chance to meet readers, authors and others in the publishing industry a chance to network (usually at a cocktail party or the hotel bar), and everyone a chance to attend panels, lectures, and workshops. Awards/conference season is a mixture of excited anticipation and crime (fiction)-filled fun. It presents a few challenges, however. Who to nominate for an award and who to vote for (for those awards where the nominees and winners are chosen by readers and/or conference attendees) and which conferences and banquets to go to. Which to attend is especially challenging. If you had the time to do nothing but travel and unlimited funds, you could be on the road constantly from March through July. You have to pick and choose. Do you plan your travel based on who’s up for an award, who’s speaking, location, timing, or a combination of factors? What conferences do you attend? How do you choose?

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Conferences–Worth it?

 I am writing this blog when I should be booking a ticket to Nashville. I’ve already signed up for Killer Nashville, you see, and–though I’ve paid my conference fee and for my hotel–I have yet to book a flight. I will. I’m hemming and hawing about airline prices and not yet wanting to part with the money in my savings account.  Conferences can empty wallet. I’ve yet to attend one that didn’t ultimately set me back a grand with all the travel expenses and registration fees–not to mention the cost of promotional swag. So, a natural question is, are they worth it?  I think conferences help build an author’s brand and enable writers to connect with other novelists, both of which can sell books. Though I think anyone that believes he or she will go to a conference and see a resulting spike in his or her Amazon ranking will be ultimately disappointed. Conferences are largely attended by other writers. And, though writers buy and read lots of books, they are there to sell their own work–not to spend a bunch of money on their friends’ novels. What’s more important, though, is that writers talk about other writers and, ultimately, will read and promote authors whom they respect. This community promotion can help legitimize a new author’s career and get mid-list authors noticed. Successful writers, in my experience, are very generous with their time and platforms, perhaps because they were once in a similar situation on the mid-list or struggling to get published. (I also believe that people who spend a great deal of time imagining the feelings of others in various situations might be trained to be more empathetic than the average Joe. Though, this is a theory based entirely on supposition).  Conferences also give out awards recognizing stellar books, which can be helpful for sales. And, since writers typically vote for the winning titles, it can be difficult for a novice to get noticed for such recognition if he or she doesn’t have other authors–likely met at conferences and book signings and panels–who are aware of his or her work.  So, I guess that means I should go on Travelocity.     

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