Last week I went to the ThrillerFest Conference in NYC for the first time, and as part of it, I signed up for a Master Craft Class. I was fortunate enough to be assigned to Steve Berry’s class. I’ve been working on a manuscript I thought was good. The opening pages received a finalist award for a fairly impressive literary competition. So I wasn’t concerned about the writing, but I worried they lacked oomph. And if you are writing a mystery or a thriller, oomph is a very nice thing to have.Enter Steve Berry. His class went from 8 a.m. to 5 p.m. and he gave lots of concrete information about plotting and openings and so on, and then, he met with each of us, one-on-one. I am talking about meeting one-on-one with a man who has sold 25 million books! Or 25 million and 5 because I went out and bought a bunch of them.So I sat down across from him and handed him my pages. I think he likes to read them fresh, to get a sense of how someone just picking up the book might feel about them. He read the first paragraph, the second, the third. Then he went back to the first paragraph, the second, the third. Then he put his head in his hands, which was probably a bad sign. And then he began to ask questions. Who’s this? What do you mean to say here? What’s this?Fortunately I knew the answers because I had spent a lot of time thinking about the plot and the characters, and then he got to about page 6 and said, “This is where the book begins.” He was absolutely right, and it had never occurred to me. Then he began asking about chapter 2, 3, 4, 5 and he began brainstorming how to set up all of that starting with the changes to chapter 1. I was writing down notes like a maniac. It was genuinely the most helpful experience I’ve ever had. I walked out of there, or perhaps better to say I crawled out of there, with a strong sense of how my story should go. Got home, starting making the changes, and now feel so enthusiastic. My manuscript has oomph.