We’re celebrating the book birthday of Alexia Gordon’s “Death in D Minor” today. The Miss Demeanors love a party, especially a book birthday party for one our own. We asked Alexia to share a little about the process of transforming Death in D Minor from an embryo to a beautiful baby. Here’s what the Birthday Girl had to say.Miss Demeanors (“MD”): So what the new book about, Alexia?Alexia: In Death in D Minor, Gethsemane has to clear her brother-in-law of antiques theft charges, herself of murder charges, bring Eamon back from wherever he’s got to, and save Carraigfaire from a greedy hotel developer, all while dodging a killer and outwitting a law enforcement agent who may not be what she seems. And she has to do it all by Epiphany. Luckily, the ghost of a dashing 18th century sea captain shows up to help her. (No, writing back cover copy is not my forte.)MD: Was writing your second book as painful for you as many authors describe?Alexia: Book two was excruciating. If self-doubt was a bus, I’d be road kill. I was afraid to write for fear I’d “violate canon”. Yeah, I was actually afraid to play in the world I’d created lest I mess things up and disappoint readers. How’s that for neurotic?MD: What inspired the story for Murder in D Minor?Alexia: Death in D Minor was inspired by My personal interests. Needlework, particularly embroidery, is a hobby. Colonial-era history and art crime are fields that interest me. I decided to work my interests into the story because it’s always more fun to write about what interests you. Especially when you’re in the midst of an imposter syndrome-induced nervous breakdown and have deadlines looming. Plus, I had an excuse to finagle a behind-the-scenes tour of Colonial Williamsburg.MD: When you started your series did you know the plot or theme for the first and second one? Or did the second one come about organically?Alexia: I knew I had to the up certain loose ends from book one in book 2 and I knew which characters I had to carry over to book 2. But the actual plot for book 2 came about organically. I pulled some ideas from my mental Rolodex (How many people who read this will totally not get that reference?) –art crime, antique embroidery, Colonial history– and puzzled out a way to make them for together with the characters I already had.M.D.: Gethsemane talked about her family in book one. Now, in book two, we see one of her family members. How did that family dynamic change writing her character? Could we see more family members in the futureAlexia: Actually including a family member in the story meant I had to imagine how Gethsemane would interact with someone who knew her history (and secret nickname) and who would interact with her differently from someone she’d recently met. We all (at least I do) speak about our absent family differently than we act in their presence. Yes, I plan to have more family members as characters in the future.MD: Does your protagonist Gethsemane ever annoy you?Alexia: Gethsemane doesn’t annoy me. My challenge is not to let Gethsemane become my channel to express my annoyance with other people. My fatal flaw is not suffering fools lightly. It’s hard to keep that off the page.MD: Any questions for the Birthday Girl, please chime in. After we’re done partying, we’re off to buy a copy of Murder in D Minor.