Author: Alexia Gordon
And the Award Goes To…
The shortlist for the inaugural Staunch Book Prize, “created to make space for an alternative to the overload of violence towards women in fiction” and “awarded to the author of a novel in the thriller genre in which no woman is beaten, stalked, sexually exploited, raped or murdered,” was recently announced. The award’s creators wanted to honor “stories in which female characters don’t have to be raped before they can be empowered or become casual collateral to pump up the plot” and that don’t “celebrate the cunning (often, charming sexiness/astonishing brutality) of serial rapists and the dogged brilliance of detectives” at the expense of female characters too often portrayed as two-dimensional victims. The shortlist for the 2018 prize, to be awarded this month, includes a political conspiracy thriller, a psychological thriller, an art caper, a thriller about the immigrant crisis, and a satire about terrorism. In the spirit of new literary awards, I asked my fellow Missdemeanors, “What prize would you create and what would the eligibility criteria be?” Here are their answers. RobinMine is easy. It would be the Amazing Grace Award, which was a nickname for Grace Hopper. Without her, computers would still take up an entire room and do only one thing at a time, so my criteria would be most inventive use of real technology for sinister purposes. Bonus points for flipping the bit, so to speak, to use that same technology to catch the criminal. TraceeI’d hand out the Tolstoy award, in honor of Count Leo Tolstoy. The criteria for this award: a work of fiction that captures a broader historic theme with dramatic breadth and unity. The committee would prioritize works set in contemporary life.Thinking about Tolstoy, I feel the urge to re-read a few favorite parts of War and Peace. Although with the ice raining down I might be better served to visit another great Russian author, Boris Pasternak and the winter scenes in Doctor Zhivago. SusanI’d hand out an Ove award, named for Fredrik Bachman’s curmudgeonly hero. The criteria would be a work of fiction that shows me the interior life of a character I might have overlooked. MicheleI’m creating The Penny, after Louise Penny for her superb creation of Three Pines. The criteria for winning The Penny would be a work of fiction in which the author creates a setting for her story where, although not conflict free, the reader may retreat to find comfort and solace in times of turmoil. It sure worked for me after November 2016. TraceeI love all of these! CateI would create The Ripley, for the most unlikeable character that you can’t help but root for. The award would be in the spirit of Patricia Highsmith’s The Talented Mr. Ripley. Alternative name: The Dexter. PaulaOoh, a very good question and such lovely answers.I’d have to say the LATE BLOOMER AWARD, for writers publishing their first novel after age 50…or 60…or…. MicheleAs a writer who received her Medicare card the same month that I got my first publishing contract, I love the LATE BLOOMER AWARD! AlisonI love all the answers. I’ll add the SEDARIS AWARD for writers, like David Sedaris, who are so funny it’s impossible to read an entire chapter without laughing out loud. It’s named in honor of Me Talk Pretty One Day, which I read while taking Amtrak from Philadelphia to New York. I thought I could sit in the “quiet car” while reading, but I ended up leaving the silent section of the train because I absolutely, positively, could not stifle the eruptions of full-on belly laughs coming from my own belly. AlexiaI’d create the ELBA AWARD (named after Idris Elba, of course) for a crime fiction novel that doesn’t pigeon-hole characters of color and characters from other marginalized groups into narrow, stereotypical roles and narratives. There’d be a sub-category, named the JACKSON (after Samuel L.) for the fictional crime film that had a character of color or other marginalized character appear in the most unexpected role. What award would you create? What would you name it? Who could win? Comment here on the blog or join the discussion on Facebook.
Read moreReading on a Jet Plane
Alexia Gordon I just had time to unpack from Crime Bake before I hit the road again, this time traveling for my day job. Between waiting to board the plane, waiting for the plane to take off (I think I spent more time taxiing on the runway than I spent airborne), and the actual flight (which I spent crammed into an “upgraded” seat so cramped if I’d puffed out my cheeks I’d have hit my seatmates) I had plenty of time to get some reading and writing done.
Pen and paper are my go-to travel writing tools—much easier than a laptop to whip out at a moment’s notice, no danger of equipment failure (I suppose my pen could run out of ink but I can fit a dozen pens into less space than a power cord), no need to search out a power outlet, and no need to stow for take-off and landing. My travel reading varies. It’s almost always paperback, lighter weight than hardback, and no need to power it on or plug it in or put it away when the flight attendant passes down the aisle checking seatbelts and seatback uprightness. Size matters—it has to fit in my personal item. This trip, I chose a mass-market (about 4” x 7”) paperback book because it fit into one of my tote bag’s slip pockets.
I prefer to bring a book with me from home but sometimes I take the chance of finding a good read in the airport bookstore. I found one of my favorite novels, Han Solo at Stars End, this way. These days, the airport booksellers offer as many hardcover bestsellers as the neighborhood bookstore. Once upon a time (within my lifetime—my age is showing), back in the day before airports did double duty as shopping malls, the choice was more limited. “Airport novels” were a thing. Wikipedia, the source of all wisdom, defines an airport novel as, “a literary genre not so much defined by its plot…as by the social function it serves.” Hidden among questionable assertions about what makes a novel an airport novel (the Wikipedia article on the topic contains several assertions that sound more like pejorative opinion than objective statements and has been flagged as containing original research and needing more citations) is a workable definition: a mass market paperback of a length that will last for an entire journey, is fast-paced and entertaining, and that won’t require the reader to consult any reference material. Also referred to as beach reads, TV Tropes describes these books as “the junk food of the literature world”. I think the description is unfair—just because a novel doesn’t aim to win a Pulitzer doesn’t make it “junk food”. I will grant that airport novels tend to be “light” reading. After all, when you’re dealing with crowds, delays, surly staff, cramped conditions that would have animal rights activists protesting if animals were subjected to them, overpriced food and everything else that has turned modern travel into an ordeal to be endured instead of an adventure to be enjoyed, do you really want your reading material to remind you the world is rotten or require the same level of concentration it takes to navigate airport security?
Novels designed to meet the needs of travelers pre-dates air travel. The French coined the term romans de gare and the Dutch called them stationsroman when train travel was the primary mode of mass transit. What’s your favorite travel read? Do you think airport novels are the literary equivalent of junk food? Do you ever buy novels from airport booksellers? Or is your travel reading all electronic? Or are magazines and crossword puzzles more your idea of travel entertainment? Leave a comment on the blog or head over to Missdemeanors ‘ Facebook page to join the discussion.