Of Cockapoos and cars

When I was young, I desperately wanted a Peugeot sports car. I kept talking and talking about it until finally my dear friend said, “You don’t even know what a Peugeot is. You just like the name. ”   She was right, and I thought of her when I acquired two cockapoos, for much the same reason. How could you not want something called a cockapoo? Every time I say the word, I laugh. My phone keeps auto-correcting it to cockatoo, which I don’t think is nearly as funny. So I have two of these silly dogs. The oldest, Buster, is very nervous. He’s a very gentle soul, but watchful. He keeps his head still and his eyes just follow me wherever I go. He’s also very flexible, and when he’s tired, he stands like a tripod and slowly sinks to the ground. He also tends to tilt. He always makes think he looks like he’s on the Titanic, sinking. He’s the sort of dog who’s perfect with kids. You can do anything to him, and my son has, and he doesn’t get upset. He just looks forlorn, as though in a perfect world, such things would not happen. My younger dog, Bailey, is much more high maintenance.  When we went to pick her up at the breeder, my daughter said, “Give us your most lively one.” That dog never sits still. She’s always twitching about, scratching and licking. She’s probably not the most attractive dog. Her face always makes me think of a revolver, and yet she has very high self-esteem. She’s also devoted to me, and follows me around no matter where I go. My two little friends keep me company when I write, which can be a lonely occupation. They are also great to practice dialogue on. Mainly they are my cheering squad. Whatever I do, they think it’s fabulous.

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Mentoring

During the summer I don’t go into NYC to teach for Gotham Writers, which is what I normally do. Instead I work for Gotham’s Mentoring program, which is to say I work one-on-one with students over the phone. Every Monday at 6:30, for example, I talk to one writer from New Hempshire who’s working on a cozy mystery. She’s just getting started, so we’re at a brainstorming stage and if anyone were listening to my side of the conversation they’d find me insane.   Does her uncle have a reason to kill her? Does that poison cause you to have convulsions? Could he secretly love her? Is there money involved? He seems nice, but who is he really? We spend our time speculating over murderous topics, and I feel like our energy feeds off each other. I always feel inspired about my own work when I’m done talking to her, and judging by how many pages she’s written, she’s inspired too. Then there’s an older gentleman from California, who’s been working on a short story for some time. Anyone who doubts whether writing can be taught should read his work. He’s gone from being somewhat long-winded to writing something that’s really good and he’s going to be sending out to literary magazines. Not all my students are published, but some are, and it’s always a triumph. Today I’ll be talking to a new student, and that’s always exciting. Who is this person and what are her dreams and what can I do to help her? It’s always a bit of a puzzle to figure out. A little bit like constructing a mystery.     

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Cosima

So, as I mentioned yesterday, I’m writing a story about a woman who is the daughter of a serial murderer and I needed to think of a name for her. She’s very well-educated and her father, in addition to being a killer, or perhaps because of it, was a great pianist. I considered Aria, which I think is a pretty name, but I was concerned people would confuse her with Arya Stark, and also it seemed somewhat playful and I did not picture her father as being playful in any context.  Then I thought of Cosima Wagner, a woman I’ve always found fascinating. She was born on Christmas Eve 1837, the illegitimate daughter of the great pianist Franz Liszt. Her name derives from St. Cosmas, the patron saint of physicians and apothecaries. She was not a great beauty. She’s always reminded me a bit of Wallis Simpson, another interesting woman. When Cosima was a young woman she married pianist Hans von Bulow, who was Liszt’s most devoted student, but perhaps not the most exciting and romantic individual. During their honeymoon, they went to visit the German composer Richard Wagner, a very exciting and romantic individual, with certain major personality flaws. The next year they visited him again, and at the end of her visit she threw herself at Wagner’s feet and kissed his hands. As Wagner wrote afterwards, “I pondered the mystery, without being able to solve it.” A few years later, Cosima began an affair with Wagner, and had  two children with him, and when she finally asked von Bulow for a divorce he said, “You have preferred to consecrate the treasures of your heart and mind to a higher being; far from censuring you for this step, I approve of it.” On the first Christmas of their marriage, Cosima woke up and heard music. Wagner had set up an orchestra on the stairs and played for her. She went on to become a really terrible person, an anti-semite and her family became friendly with Hitler,  but in the romanticism and cruelty of her history, I felt I’d found  a good name for my character. So that’s how I came up with Cosima. Now for the last name!

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