Tag: multiculturalism

multiculturalism

Writing about Cultural Setting

 Utahns are friendly and stubbornly optimistic. There’s an open warmth wherever you go in the state. I’d argue that some of that, at least, stems from growing up hearing stories of overcoming unbelievable hardship as a community. The lyrics to the Mormon pioneer song advises that we “put our shoulder to the wheel.” Every person helped out on the trek from the east coast to the Salt Lake Valley—pulling a handcart, or, if you were lucky, riding in a covered wagon—through snow and mud, despite disease and famine, toward an unknown destination. Politeness and friendliness are to Utah what competence and efficiency are to Manhattan, but that’s a superficial description. Cultural setting needs to scrape beneath the surface. Just as some of the nicest most generous people I know are New Yorkers by birth or adoption (meaning you’ve lived in the city long enough to have survived at least one business cycle), there are plenty of Utahns who don’t conform to the branded image of the “I’m a Mormon” campaign. It’s the below-the-veneer characters who make a story interesting: the people who don’t fit in; people who see the world in a different way from the majority; the ones who’ve been knocked around a bit in life. Then there are the people who […]

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Must A Main Character Be Like Me?

I am in the midst of rewriting large portions of my fourth book this week. There are three POV characters in this story. One is an African American female police officer, aged 27, single sans kids. She’s been a cop for three years and is very smart with a high EQ, but a troubled history. Another is a hugely successful 37-year-old Black female orthopedist of West Indian descent that armchair quarterbacks injuries on a sports network as a medical commentator. She’s in a heap of trouble. The third is a 35-year-old former Caucasian attorney turned stay-at-home mom to twin boys, one of whom is autistic and homeschooled. She’s a walking anxiety disorder with a sharp wit. All the characters are American. None of them are particularly like me, though I am sure my personality and observations bleed into all my characters. Specifically, their back stories and cultural heritages don’t match my own (though the orthopedist is of West Indian descent and so is the Jamaican half of my family).  I have things in common with all of my POV characters, though. And, most importantly, I’ve done my research.  All this writing has me thinking this week about character creation. How like me should my characters be? How much latitude do I have, as a […]

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Creating Multi-Ethnic Characters and Landscapes in American Crime Fiction… (Alt. Title: Can Crime Fiction in America Be Post-Racial?)… A True Story

  “What are you?” Growing up in small town New Jersey in the 1990s, I stared down that question on a near-weekly basis. Parents, teachers, strangers at the mall—all would ask shortly after requesting my first name. “Catherine” didn’t reveal enough about me. It was too generically biblical. Every land to ever encounter a missionary doled out the moniker like a Christmas fruitcake. The name defied easy categorization. And, back then–as like now–seemingly everyone needed racial classification.  I’d often answer, “American. Born in Queens.” My stock response invariably frustrated my interrogator. Here I was, a plain-old Catherine, with olive-skin and dark curls that, incongruously, could not speak Spanish. My straight nose, which hooks when I smile, had been keeping plastic surgeons employed across cultures since the invention of rhinoplasty.  And, now, I was telling someone—attempting in as PC-a-way as possible to figure out my race—that I’d been born in one of the most diverse cities in America.  “No, but what are you? Are you Black or White?” My usual follow-up sounded even more insolent. “Both.” The answer had the virtue of being true. Nearly all my paternal relatives trace their history back to Europe, specifically Ireland. My maternal ethnicity is more complex. A Jamaican-born […]

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