- October 21, 2019
- C. Michele Dorsey
Anyone who follows me on social media could not possibly have escaped that I recently spent two weeks in Ireland. At the risk of making you all dive under the covers screaming, “Enough,” I plan to spend this week blogging about the stories stirring within us and their sources.
Writers are frequently asked where they get their stories. Author Hallie Ephron is particularly adept at pointing to the source of her latest book (Careful What You Wish For), which has to do with a couple on different sides of the Marie Kondo wave. Another came from a house where she went to a yard sale.
- August 29, 2018
- Cate Holahan
Seanchaí: An ancient Irish oral storyteller whose tradition carried on through centuries.–Museum of Irish Emigration. EPIC. I recently returned from a family vacation in Ireland with my immediate family, parents, siblings, and nephews. We planned the trip, in part, to trace the roots of the Holahan surname and learn more about my father’s heritage. Both sides of my dad’s family–the Holahans and the Whalens–are Irish, though they emigrated so long ago we weren’t sure that we would be able to learn much about them. We learned quite a bit, as it turned out. Apparently, the family is descended from knights and the forbearers of the word hooligan, which may or may not explain a lot–depending on whom you ask. The best part of Ireland, for me, however, was seeing how much the country celebrates its storytellers. As an author and semi-Irish American, I feel part of that storytelling tradition by virtue of watered-down blood and very much unfiltered passion. Not surprisingly, one of the highlights of the trip for me was visiting the museum of Irish Emigration, which devotes an entire exhibit to Irish (and Irish descent) storytellers from celebrated avant-garde 20th century literary icon James Joyce (Ulysses, Portrait of The Artist As A Young Man, Dubliners, etc.) to contemporary best selling author Emma Donoghue (Room). Here are some of my favorite photos from the trip.Read More
- August 30, 2016
- Alexia Gordon
People often ask me why I set my novel, Murder in G Major, in Ireland. I usually come up with a story about how Ireland is a locale where a ghost wouldn’t seem out of place but my protagonist would (I love a good fish-out-of-water story) but the true reason is as ethereal as my story’s specter. The setting just came to me.
The nidus of my paranormal murder mystery rests in a daydream I had. (Yes, I daydream movies in my head. It’s a great way to pass the time when you can’t decide on a book from your TBR pile and nothing in your Netflix queue appeals to you.) I imagined an African American classical violinist stranded in an Irish village with only the clothes on her back and her violin. And sometimes a harmonica. I imagined she won a prize for fiddling in a pub’s open mic contest and she used the money to rent a room above the pub. I remembered this daydream when a writing instructor asked “What’s your story about?” and it eventually became the backstory for my novel’s amateur sleuth.
But why Ireland? My fascination with Ireland defies logical explanation. I love Irish music, especially pub songs, Irish pubs, Irish whiskey, Irish festivals, Irish accents, Irish epithets Irish names, even Irish wolfhounds. (Although I have absolutely no space to keep one of these magnificent beasts.) I don’t know where I get it from. My surname is Scottish, of the great clan that spawned the legendary Gordon Highlanders. I didn’t grow up in Ireland nor in an Irish neighborhood. I didn’t know anyone Irish. My mother’s an Anglophile, not a Hibernophile. No one talked about visiting Ireland. My parents and I traveled a lot when I was a kid but Ireland never made the itinerary. If I, as a young adult, hadn’t planned a trip to Northern Ireland and the Republic of Ireland (with stops in London and Scotland at Dad’s request) my parents never would have set foot on emerald shores.
Where does my Irish-love come from? For the longest, I assumed it was “just one of those things.” Some people love France, some love Italy, some New York, some California. Me, I love Ireland. Just one of those things. So I thought. Until I discovered genealogical DNA testing.
Dad and I are genealogy buffs. We’ve managed to trace our family through censuses and social security death indexes and marriage certificates and draft cards along the paper breadcrumb trail from Oklahoma to Alabama and Virginia to the Carolinas. We made it as far back as the mid-1800s where we, like many African American family history researchers, hit a wall. Then Dr. Henry Louis Gates, host of PBS’s “Finding Your Roots,” started talking about DNA. I knew about DNA, of course. I’m a physician. DNA determined your eye color, your risk for certain diseases, and whether or not you were a crime suspect. And at big research institutions like National Geographic DNA helped sort out where humans originated millions of years ago. But Dr. Gates explained DNA could also help you figure out where your family came from a thousand years ago. Or five hundred years ago. Or a couple of hundred years ago. DNA testing had become simple and affordable and was now being used by family history researchers in a new (to me) field called genetic genealogy. I went online and Mom and Dad and I all got DNA testing kits for Christmas.
Guess what? I’m Irish. Fourteen percent, anyway. (Thirty-two percent Benin/Togo and twenty-four percent Cameroon/Congo, thanks for asking.) Slap my face and call me Shirley. Maybe my Hibernophilia isn’t so out-of-the-blue after all. Maybe it’s some sort of epigenetic love call, some trace memory of a long-forgotten ancestor. Or maybe not. Maybe it is just a thing. A thing I make no apologies or excuses for. A thing I enjoy. I’ll go on daydreaming about red-headed men with sexy brogues, drinking Irish whiskey while listening to the Dubliners, enjoying the craic at pubs and festivals, and setting stories in the land of storytellers. And when March seventeenth rolls around I’ll smile as I repeat the phrase, “Everybody’s Irish on Saint Patrick’s Day.”
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