Tag: #editing


What I Learned About Deadlines

It’s been an amazing five days. Suspense writers are some of the most supportive and kind people I know. I’m grateful to be part of this community. Rick Pullen, Cate Holahan, and S.B. Woodson inspired me with their dedication to the craft, perseverance in the face of adversity and generosity of spirit.  To cap off this back-to-school week, today is the master class with my wonderful fellow Miss Demeanors. My question for them was: Do you feel anxious when a deadline is looming? If so, do you have any tricks for maintaining sanity? They had great advice, and gave me a fresh perspective. Thank you! Here’s the cheatsheet with full answers below: (1) Welcome deadlines as a sign you’re living the life of a writer.(2) Celebrate small victories along the way.(3) Get some sleep.(4) Meditate.(5) Take a walk, bike ride or a run.(6) Eat what makes you happy.(7) Prioritize writing over everything else. Paula: I started off as a reporter, so I’m used to deadlines. But the time frame for those stories is much shorter, as the stories (and their shelf life) are much shorter. When you’re writing a book, it’s one long sustained deadline punctuated by interim deadlines that can last years. The pressure ebbs and flows somewhat as you meet […]

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Editing, or the pretense that it will ever be perfect.

 Every writer has different editing moments. There are the early edits, adding plot points or taking out backstory to keep things moving. Later in the process we continue to check the plot points but start to fine tune the dialogue, the action, the beginning and end of chapters, the punctuation. Then, finally, and for a moment it feels like a reward, the editing of the complete manuscript to turn in to the publisher. This is where what felt like victory turns to ‘I need a drink’. At least for me. Because it feels final (actually, it is final) I begin to re-question everything. Usually my Beta readers haul me back from the edge and I get back to the real work at hand. The final edits. Overwhelming in some ways. Check everything. That’s all. I think every writer has a list of what to do as part of the hedge against insanity. Plus, checking things off a list is universally satisfying. My list is along these lines:  character arc (names consistent and are their emotions developing in a consistent path) chapter breaks/length fine tune the dialogue check description (accuracy, consistency, and things like time of day/length of day) eliminate my personal writing […]

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The Readers in My Head

I write for me. But editing that way would be too selfish.  At night, when I pour over whatever I penned earlier in the day, I try to wrest myself from my characters’ heads and my own mind and place myself in the heads of three people: my dad, my closest friend from elementary school, and my agent. Each person is very different. And, if I can please these imagined readers, I feel good about continuing my story.  My father is the critic. A sixty-six-year-old, soon-to-be retired accountant, my father scrutinizes stories like a balance sheet, searching for mistakes and plot failings. He wants to point out that something didn’t make sense or that a character’s actions were “unbelievable.” He refuses to allow well-crafted sentences to seduce him into an easy suspension of disbelief. Reading with my father in mind forces me to constantly ask myself whether or not I’ve done enough work to make my characters’ actions natural. If my fiction doesn’t feel truthful, my dad’s voice will accuse me of lying with all the venom of a parent thinking of a punishment for breaking curfew. I’ll need to go back to the drawing board.  My closest friend from elementary school is probably the person in this world most similar to me. […]

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