Tag: dennis lehane

dennis lehane

Why do you write suspense?

As someone new to writing, I’ve been thinking a lot lately about why I’m drawn to write mysteries.  So, I thought I’d ask the experts: why do you write what you write?  Cate: I write suspense because I love the feeling of surprise when I learn something unexpected about a person, that in retrospect makes sense. I am also fascinated by the justifications people have for doing badthings. I like creating flawed characters that you feel for. Some of my favorite suspense writers are Gillian Flynn, Dennis Lehane, Ruth Ware, Stephen King, Fiona Barton, Herman Koch and Patricia Highsmith. Susan: I think I like mysteries so much because the writer has to interact with the reader. You’re always thinking: Will the reader guess this clue? Will she be surprised? Is it satisfying? There’s something about that interaction I find very appealing. I’ve heard some authors say that they write for themselves and don’t care if anyone reads it, but I’ve never felt that way. I also love the whole idea of good versus bad, even if there are lots of shades of gray. Tracee: I fell into suspense through old fashioned mysteries. I confess that I am still not ready for hard core scary (I recently saw a preview for the movie It […]

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The Better Book Battle: Mystery Fiction vs. Literary Fiction.

There’s been renewed debate, recently, about the relative value of mystery fiction vs. its “literary” counterpart thanks to a self-described “passing remark” by Notre Dame English professor William O’Rourke that disparaged the mystery writing community as suffering from a “fatal lack of talent.” In a subsequent article in the Irish Times, O’Rourke clarified that he did not intend for his remark to insult mystery writers in particular but, instead, to denigrate the entire literary culture in America.  After reading both articles, it’s clear that O’Rourke believes our nation subsists on the literary equivalent of McDonald’s, formulaic, processed writing intended to keep readers turning pages thanks to contrived cliff hangers. Other cultures, he argues, consume the good stuff–books that make folks stop and think.  I don’t believe O’Rourke is entirely wrong in his assessment of the average American’s fiction diet. Our busy culture values easily digested entertainment. And, in my opinion, there’s nothing wrong with that. I like having a cheeseburger now and again. Sometimes, I want something fun to read on a plane, or at the beach, or to listen to in the car. However, I certainly disagree that mystery writing as a whole is formulaic fast food. Good writing–and there is plenty of it in the mystery realm–transcends […]

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