Tag: character

character

What a Bunch of Characters

 Meet the nominees for the 2018 Best First Novel Agatha Award.  Ever wonder which character they most enjoy writing? Join the conversation to find out! Who is your favorite character to write and why? Micki Browning:This is a bit like asking a parent to choose a favorite child. I certainly like spending time with my protagonist, Mer Cavallo. She’s wicked smart, which means I have to stretch to keep up with her. She’s someone I’d like to have as a friend—and dive buddy. But sometimes I want a little more levity than Mer provides, and that means it’s time for Captain Leroy Penninichols. I love his Southernisms. If he had to describe someone as small, he’d bust out with “Well, she ain’t bigger than a bar of soap after a hard day’s washing.”  His gruff exterior hides a tender heart and he dotes on his wife. He always cheers for the underdog, and took Mer under his wing when she first arrived in the Keys. They constantly banter, and one day Mer asked how his wife put up with him. In typical Leroy fashion, he responded, “There’s a lid to fit every skillet.”  Leroy reminds Mer (and me) that there’s always another […]

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The Emotional Craft of Fiction

“The sad truth is that television commercials can stir more feelings in thirty seconds than many manuscripts do in three hundred pages.” So writes veteran literary agent Donald Maass in his spellbinding book, The Emotional Craft of Fiction, and he goes on to explain how writers can learn to help their readers feel.  As someone who has spent a fair amount of time crying over commercials, I found his advice compelling, and I’ll certainly apply it to my next book.  Meantime, here are some more quotes: “Why is it important to look at fiction writing through the lens of emotional experience? Because that’s the way readers read. They don’t so much read as respond. They do not automatically adopt your outlook and outrage. They formulate their own. You are not the author of what readers feel, just the provocateur of those feelings.” “Who your characters are, how they behave, what they believe, how they think, what they do, and the ways in which they feel are in your control. Why create characters who only raise shrugs?”  “What makes them classics? Artful storytelling, sure, but beyond the storytelling, classics have enduring appeal mostly because we remember the experiences we had while reading them; we remember […]

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Next Stop: Dysfunction Junction

  One of my favorite TV series is “Midsomer Murders,” the British cozy-cum-police procedural set in small town England, now in its twentieth season. Other, newer favorites include “The Brokenwood Mysteries,” a darker cozy-cum-police procedural set in small town New Zealand, and “Hinterlands,” so dark it’s actually Scandi-noir masquerading as village fare, set in small town Wales. All three shows share commonalities. They focus on police investigation of crimes in rural areas with adjusted per capita murder rates that rival Chicago’s. The biggest difference between the three is the degree of dysfunction in the main characters. Midsomer’s DCI Barnaby is an ordinary guy, a well-adjusted everyman with a well-adjusted wife and daughter. His home life is ordinary, if not outright idyllic. The drama and trauma occur on the job. Brokenwood’s DSS Shepherd, on the other hand, is a man with a complicated past that includes several ex-wives and at least one dead one. You get the sense he’s experienced a lot of unhappiness in a life accented by the show’s country/alt rock soundtrack. Hinterland’s (the darkest of the shows) DCI Mathias makes Kurt Wallander look like the president of the pep club in comparison. Devastated by the death of one of […]

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