Tag: Art Taylor

Art Taylor

First pages.

If the first line sets the tone, the first page(s) lay the groundwork for the entire tapestry of a book. What does the reader expect: genre, point of view, place (time and geography). How about mood?  If the compelling first line did its work the reader is interested. Now you have to round out the experience. Did the first sentence make them uncomfortable? Or pose a question. I’m again reminded of Celeste Ng’s “Lydia is dead. But they don’t know this yet.” The opening to Everything I Never Told You. The first pages need to immerse the reader in the story, and most likely in a significant, if not main character. What kind of protagonist is at the heart of the tale?  What about the first pages of a “next in series?” The first pages must bring fans back to a familiar world while introducing it to new readers for the first time.  This brings the complication of repeating information in a new way. Reassuring fans that they will enjoy this installation as much as they did the last.  For ongoing discussion and examination of this topic look to the weekly First Two Pages blog hosted by Art Taylor athttp://www.arttaylorwriter.com/blog

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The Beginning (full stop).

  Great opening lines are memorable. I suspect many people can quote the opening of Dickens’ A Tale of Two Cities even if they don’t know what they are quoting.  The first scene in a book is often the first one written. It may even be the scene that inspired the rest of the book (that image that won’t leave the writer’s mind, taking over until it has spawned characters, plots, settings, and hopefully a satisfying conclusion).  Fingers tap the keyboard or grip the pen, speeding through the first pages, tumbling onto the next chapter, and the next until it is time to type The End. Of the first draft, that is. Then reality sets in. The first pages are the ones that sell the book. They are the hook. The decision to continue. They become THE EVERYTHING. I suspect that first pages, or first paragraphs or better yet, first sentences are more studied than any other pages in any manuscript.  Workshops are organized around perfecting these critical pages (our very own Paula Munier frequently lends her expertise to a First Ten Pages bootcamp through Writer’s Digest). This is an excellent opportunity to receive critical feedback. However, what if you don’t have the ten pages […]

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All about short fiction with Art Taylor

I’m delighted to be joined today by Art Taylor. The short version of his bio is that he’s a great guy and a great writer. He’s here today to talk about one of his specialties – Short Stories.  A more complete version of his bio would include Art’s credits as the author of On the Road with Del & Louise: A Novel in Stories, winner of the Agatha Award for Best First Novel. He has won three additional Agatha Awards, an Anthony Award, a Macavity Award, and three consecutive Derringer Awards for his short fiction, and his work has appeared in Best American Mystery Stories. He also edited Murder Under the Oaks: Bouchercon Anthology 2015, winner of the Anthony Award for Best Anthology or Collection. He is an associate professor of English at George Mason University, and he contributes frequently to the Washington Post, the Washington Independent Review of Books, and Mystery Scene Magazine. With that out of the way, and before I go on to novel length, let’s get to the good stuff. Short stories. TdeH: Thanks for joining us today. I live a little in awe of great short stories. They are like Japanese sushi knives. Precise and well honed. You’ve made a name for yourself as […]

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Recent Posts

First pages.
  • February 13, 2019
First lines.
  • February 12, 2019
Lots of counting in writing
  • February 11, 2019
How Do You Even Brand?
  • February 8, 2019
Left Coast Party
  • February 7, 2019
The Power of Yes
  • February 5, 2019
Embracing My Brand
  • February 4, 2019
How to Deal with Change
  • February 1, 2019

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