Tag: art

art

Bite-sized Bouchercon

 I started this post a few days ago. Now I’m sitting in Toronto Pearson International Airport waiting to board my flight back to the U.S. I’m manning the International Thriller Writers’ table at my first Bouchercon, feeling…overwhelmed. This conference is huge. I ran into Hank Phillipi Ryan in the elevator and joked there were more people in the hotel than there were on the streets. 1700 registrants. Wow. 1700 authors, editors, agents, bloggers, reviewers, readers, all gathered to celebrate mystery. Double wow. No danger of not finding enough to do. The opposite. Activities run non-stop from 7:30 am until 11 pm, or later. Hard decisions must be made to choose what to do without overdoing it and making yourself crazy. Try to do everything and, in addition to discovering you’d need to clone yourself to be in multiple places at the same time, you’ll collapse from exhaustion. Here are a few suggestions, based on what worked for me. If you’re on a panel, it’s easy. Start with that. Block out your time slot so you don’t inadvertently schedule yourself to be someplace else while you’re supposed to be on the dias. Dont forget, a 30 minute booksigning follows your panel. Next, find your […]

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New Cover: Lies She Told

Catcher In The Rye, The Bluest Eye, Crime and Punishment, Middlesex, Gone Girl, The Dinner, One Hundred Years of Solitude, The Lovely Bones… these are some of my favorite books. The authors, styles, and genres are all different. But, they have one thing in common: though I could write the Sparknotes for all these stories, I cannot recall their covers. I don’t mean to suggest that cover art isn’t important. It is. Before a book browser picks up a novel and reads the riveting pitch on the inside flap or the praise from well known writers and critical publications, he or she needs to take the work off a shelf. I write this to underscore that I have no business deciding what my own cover should look like. I deal in character arcs and plot structures, red herrings and twists, research and, even, social commentary. I am not best qualified to pick the single image that will evoke my story and also beckon a reader from across the room. Not surprisingly, I had very little to do with the covers on my prior two books and had about the same amount of input on this one. My publisher has changed all my working titles as well. That’s fine by me. […]

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