Murder In D Minor is Born!

   We’re celebrating the book birthday of Alexia Gordon’s “Death in D Minor” today. The Miss Demeanors love a party, especially a book birthday party for one our own. We asked Alexia to share a little about the process of transforming Death in D Minor from an embryo to a beautiful baby. Here’s what the Birthday Girl had to say. Miss Demeanors (“MD”): So what the new book about, Alexia? Alexia:   In Death in D Minor, Gethsemane has to clear her brother-in-law of antiques theft charges, herself of murder charges, bring Eamon back from wherever he’s got to, and save Carraigfaire from a greedy hotel developer, all while dodging a killer and outwitting a law enforcement agent who may not be what she seems. And she has to do it all by Epiphany. Luckily, the ghost of a dashing 18th century sea captain shows up to help her. (No, writing back cover copy is not my forte.) MD: Was writing your second book as painful for you as many authors describe?  Alexia: Book two was excruciating. If self-doubt was a bus, I’d be road kill. I was afraid to write for fear I’d “violate canon”. Yeah, I was actually afraid to play in the world I’d created lest I mess things up and disappoint readers. How’s that for neurotic? MD: What inspired the story for Murder in D Minor? Alexia: Death in D Minor was inspired by My personal interests. Needlework, particularly embroidery, is a hobby. Colonial-era history and art crime are fields that interest me. I decided to work my interests into the story because it’s always more fun to write about what interests you. Especially when you’re in the midst of an imposter syndrome-induced nervous breakdown and have deadlines looming. Plus, I had an excuse to finagle a behind-the-scenes tour of Colonial Williamsburg.  MD: When you started your series did you know the plot or theme for the first and second one? Or did the second one come about organically? Alexia:   I knew I had to the up certain loose ends from book one in book 2 and I knew which characters I had to carry over to book 2. But the actual plot for book 2 came about organically. I pulled some ideas from my mental Rolodex (How many people who read this will totally not get that reference?) –art crime, antique embroidery, Colonial history– and puzzled out a way to make them for together with the characters I already had. M.D.:    Gethsemane talked about her family in book one. Now, in book two, we see one of her family members. How did that family dynamic change writing her character? Could we see more family members in the future Alexia:   Actually including a family member in the story meant I had to imagine how Gethsemane would interact with someone who knew her history (and secret nickname) and who would interact with her differently from someone she’d recently met. We all (at least I do) speak about our absent family differently than we act in their presence. Yes, I plan to have more family members as characters in the future. MD: Does your protagonist Gethsemane ever annoy you? Alexia:  Gethsemane doesn’t annoy me. My challenge is not to let Gethsemane become my channel to express my annoyance with other people. My fatal flaw is not suffering fools lightly. It’s hard to keep that off the page. MD: Any questions for the Birthday Girl, please chime in. After we’re done partying, we’re off to buy a copy of Murder in D Minor.   

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It's only for research purposes

 My second novel, Death in D Minor, officially premieres tomorrow, July 11. I’ve been busy revising the third book in the series, A Killing in C Sharp, so I haven’t had time to freak out about release day for my sophomore effort. I resisted the urge to repeat my debut novel swag buying frenzy. With Murder in G Major, I put my book cover on everything—hats, t-shirts, posters, calendars, tote bags, mugs, pens, stickers—you get the idea. For Death in D Minor, I limited myself to pens, postcards, bottle opener key rings, and combination flashlight/laser pointers. I’ve scheduled a book signing on July 13, my first official book signing not associated with a conference panel. Stop by if you’re anywhere near Lake Forest, IL. I’ve also been doing research for future novels. When you write about ghosts, research consists of streaming episodes of Ghost Adventures on Sling TV, listening to paranormal podcasts on Stitcher, and—my favorite—listening to M. R. James’s ghost stories on Audible. Montague Rhodes James, a respected medievalist scholar, college provost (King’s College, Cambridge and Eton), and museum director, wrote the most disturbing ghost story I’ve ever read—”Oh, Whistle and I’ll Come to You, My Lad.” The. Most. Disturbing. Ever. I had issues with bed sheets for months after I first read it. (No spoilers in this blog. You’ll have to read the story to see what I mean.) James possessed a gift for turning the disarmingly bucolic English country village into the scene of your darkest nightmare. Think Jane Austen tossed with Stephen King, seasoned with a dash of razor-edged satire on the English academic establishment. And a sprinkling of golf jokes. James pokes fun of golfers a lot. His biography attracted me to his ghost stories as much as his writing style. I’m looking at a photo of the man as I write this. He looks like you’d expect an antiquarian scholar/college administrator to look: conservative haircut, receding hair line, wire-rimmed glasses, appropriately stern look. The son of Anglican clergy and a naval officer’s daughter, he had what sounds like a well-adjusted childhood, an excellent education, and a satisfactory career. He never married, spent most of his adult life in an academic setting, and won an Order of Merit. No reports of family dysfunction, childhood traumas, scandals, nervous breakdowns, or any of the other drama so often associated with authors of dark fiction. The mind that translated the Apocrypha and, according to Wikipedia, wrote a Latin hagiography of Aethelbert II of East Anglia also penned dozens of tales featuring cursed objects, demonic creatures, and horrible deaths. The normalcy of the man who wrote such paranormal tales makes the stories seem all the creepier. Still waters run deep.  The best thing about James’s stories? He read them aloud as Christmas presents to friends and students. Christmas presents! No socks or puddings from Professor James. Oh no. How about a demonic painting found in an old book in a church library? Field glasses made from human bones? A killer ash tree?This aspect of his stories—their oral presentation—inspired me to take the advice given in the introduction to a volume of his collected works to experience the stories the way they were meant to be experienced and listen to someone read them. I started with You Tube where I found a surprising collection of audiobooks. Then I discovered Audible. With Audible, I could not only listen to James’s stories, I could listen to them read by Derek Jacobi and David Suchet. And never again look at the English countryside—or a sedate college don—the same. (Images public domain from Wikimedia Commons)

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Summer travel anyone?

 Summer and travel make me think of car trips. When I was growing up all of our travel was in a car. My sister and I jousted for position in the backseat. In the era of enormous cars and no seat belts we divided the space either down the middle or floor versus seat. I remember the comfort of a nearly hot floor on a long trip, the purr of the engine, and the sense of traveling inside a cocoon. Thankfully, I was never car sick and could read and read and read. As an adult, I have driven across the entire country from west to east and then east to west. Each time I was passenger-less in a very large truck (once transporting advance items, another time items the moving company wouldn’t take – mainly plants – and the other time our books). Each experience was just that, a unique chance to see the open countryside, the changing landscape, the distant storms. (There was also the fear of being picked up by a tornado…..of backing into a pole while reversing….) Twice I had a ‘chase’ car which gave us the freedom to park the big truck and explore towns and cities along the way. As the miles progressed we threw an assortment of things into the back of the truck – antiques globes from Arkansas, grass floor cloths from Arizona, and many other items we clearly couldn’t live without. This recent 4th of July weekend my husband and I drove a few hours south to North Carolina. We took back roads and enjoyed the scenery, stopping in small towns for lunch and to visit tiny local museums (the Pearl Harbor exhibit in the county museum in Martinsville was particularly good). Today I’m alone in the car, driving to my parents for my mother’s birthday. It will work out to be about a 10-hour trip including a short stop in my old stomping ground of Lexington, Kentucky. Driving alone means audio books, so I confess I’m looking forward to it. On a recent trip, I complained about the drive right up until the moment I arrived and had fifteen minutes left on the audio version of Hank Phillippe Ryan’s What You See. I sat in the car until it was over. (Thanks Hank for the hours of entertainment!) What are your favorite driving trip memories?    

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A voyage into a fictional universe. I'm in.

Lazy summer days are a time to dream. What if dreams and reading merged and it was possible to transport yourself to any fictional place? If I had a chance to literally dive into a fictional locale and spend a few days I’d pick Jasper Fforde’s Thursday Next novels. The settings are fictional London and – more importantly – classic novels including Jane Eyre and Pride and Prejudice.  Fforde does a fantastic job of making the well-known fictional settings come to life and at the same time allowing the reader to experience them as an outsider. The characters are trapped in the role but the reader isn’t! What fun to be there and participate in the novels from the sidelines. What fictional setting would you join?  SUSAN: This is probably not a huge surprise, but I’d go with Agatha Christie’s St. Mary Meade. I love living in a small village, and of course, I’d love to know Miss Marple. I feel like you have more room to be yourself, oddly enough, in a place where everyone knows you. People know who you are, so you don’t have to pretend to be someone else, if that makes. I drew on that in writing the village Maggie Dove lives in.      ALEXIA: Tough question. So many places to choose from. I agree with Susan; St. Mary Meade sounds cool. Midsomer County to meet DCI Barnaby is on the list, despite the body count. I’d like to visit Nero Wolfe’s brownstone to see his orchid collection. Wonderland and the Looking Glass world make the itinerary. Alice was my first literary hero. I still love her adventuresome spirit. I’d love to meet the Cheshire Cat and go to a mad tea party. But, if I have to pick only one fictional place to visit, I choose the Mos Eisley space cantina so I can hang out with Han Solo and Chewbacca and score a ride on the Millennium Falcon.  PAULA: I’d go to Castello Brown, the real-life 15th century castle in Portofino, where Elizabeth von Arnim set her 1922 novel The Enchanted April.It’s been my dream to rent a villa on the Italian Riviera for a month and invite all my friends and thereby set the stage for my own enchanted April. Someday….       CATE: I’d visit Macondo in Gabriel Garcia Marquez’s 100 Years of Solitude. It’s warm (a must), all the locals have interesting family gossip, and there are magical yellow butterflies.  “At that time, Macondo was a village of twenty adobe houses, built on the bank of a river of clear water that ran along a bed of polished stones, which were white and enormous, like prehistoric eggs.”      ROBIN:  Derry, ME. An awful lot of sinister events occur in Stephen King’s bucolic creation. Runner up would be Santa Theresa, CA, Sue Grafton’s coastal community. I would love to have coffee with Kinsey Milhone and regale her with technical investigation techniques developed after the ’80’s.  MICHELE: I am also a fan of books set in English and Irish villages. I often try to visit the locations of books I have read when traveling. I made my husband look for Barberry Lane in San Francisco after our entire family devoured Armisted Maupin’s six book series “Tales of the City.” But right now, I would love to be transported to Louise Penny’s Three Pines village just over the Vermont border in Canada, even though it is nowhere near an ocean, my usual requirement. Three Pines is a fictional village that embraces the imperfections in people where friendships become like family bonds. Of course, it is not without conflict and bodies fall as routinely as the snow. You know what it means to “belong” if you’re lucky to live in Three Pines. TRACEE: I think you should ALL reconsider Jasper Fforde’s Thursday Next novels….. once you are in them the rules allow transport to anything that has ever been written, including the not so glamorous text of a washing machine label. Here’s to fictional travel!

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The Series. Where to start?

 Do you start at the beginning?  As a mystery writer I am also a mystery reader. Many (most?) are series. I’m always looking for a new book, new writer, new series….. but that is where the dilemma starts. Do I read the current one? Or do I go back to the beginning and start there? I remember discovering Michael Connelly (apparently, I had been living on Mars in an isolated space station, that’s the only explanation for joining the party late).  There were simply too many…. I jumped in at the current point and since then have dipped back in time whenever the mood strikes. I’ve liked picking up Harry Bosch and Micky Haller at various points in their lives, skipping forward and backward, knowing what was coming or learning what got them there. When I latched onto Sue Grafton and Kinsey Millhone I started with A is for Alibi and went from there (maybe it was the alphabet that made me feel obligated to march in lock step). As a writer I like to see how the characters have changed over time, how the writing had changed. Do the characters age a year between the annual publication dates (as do Louise Penny’s) or do they remain in an artificial era? PI Kinsey Millhone stays fixed in the 1970s whereas Martha Grimes’s Inspector Richard Jury works has moved forward in time, trusting that the reader will ignore the fact that he was a child in the Second World War (it works for me, but I was raised on Agatha Christie’s Hercule Poirot who was old during the First World War and kept on solving crimes well after the second war ended. Always old, never precisely older.). What makes series so successful? The ability to return to the comfort of a character who is an old friend? I think that’s what I look forward to the most.

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Reading for the 4th of July

 Happy Fourth of July! I was thinking about books that celebrate the nation’s founding and its early history. I got my start with Johnny Tremaine, a classic children’s book set in Boston prior to the outbreak of the American Revolution. Centering around growing tension between Patriots and Loyalists the book describes the Boston Tea Party, British blockades, the midnight ride of Paul Revere and the Battles of Lexington and Concorde. Since then, I have read many books that touched upon those important years in the nation’s history. Some focus on specific historical figures – Stephanie Dray’s America’s First Daughter, Gore Vidal’s Burr. Others create an atmosphere in and around the era including several books by Jeff Shaara and even one of Diana Gabaldon’s (The Fiery Cross). Bernard Cornwell made the revolutionary war the centerpiece of two of his novels beginning with Redcoat, which focuses on winter at Valley Forge. On his website, Cornwell says he was historically accurate but took some heat for use of the “f” word, noting that the word was part of historical accuracy. Some years later he added The Fort to his revolutionary collection. Anyone reading for the holiday today? Any 4th of July favorites?

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Final Edits. The End. (Almost.)

 Today I’m starting on final edits for A Well-Timed Murder, the second in the Agnes Lüthi mystery series. I have a couple main objectives: trimming and accelerating. There will likely be a few other changes to specific words, responses to my editor’s questions or requests for clarifications and other minor fiddling. I like this phase of writing when my mind is already on another book and the tasks are more concrete. That’s not to say creativity isn’t at the heart of all edits – what to trim isn’t about cutting every 5th word, it’s about cutting precisely the right words. Accelerating the story at a specific point feels like surgery. Don’t get carried away and add complications, try to bring all of the existing ones together. It’s a finite problem. These final edits also take place weeks after the last time I’ve looked at the manuscript and time helps. I’ll try to bring a fresh eye to the project while remembering that this is the end…. The finish line is in sight and everything I do should be about making it better and tighter…. All of the new ideas that plague a writer’s mind belong in the next book. What’s your experience of final edits? Panic or pleasure? 

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What The $!#&!

I’ve thought a lot about my journey this week. This brought to mind “Inside The Actor’s Studio,” an interview show before an audience of performing arts students about the journeys of well-known entertainers of stage & screen, including actors, directors, screenwriters and composers. It being Friday and all, I thought it would be fun for the Miss Demeanors to close out the week with a standard question that show-host James Lipton asks his guests to lighten the mood after grilling them about their struggles and salad days: What’s your favorite curse word? Robin: Mine, which I’m trying not to use in the YA I’m currently working on, is “f–k.” One of my best friends is also a fan of this word and she collects memorabilia for what she calls her “F–k Wall” (which is hysterical in and of itself). Last time I was in NYC I got her a T-Shirt that says “F–k You, You F–king F–k.” She now has it framed above her desk in a place of honor on the F–k Wall.  Cate: I have young kids, so I try not to swear in real life. I say a lot of “geez Louises” and “oh dear Lords.” However, the characters in my fiction are often in situations where an epithet or two is called for. My favorite is the B-word, because it is used to denigrate and intimidate women–I often have female characters that have to get over some form of intimidation–and, also, as a term of endearment among female friends. “What’s up biotch?” Susan: I think I must be a vicarious curser because I’m friendly with a lot of people who swear all the time, but I don’t really do it myself. I was teaching a class a few weeks ago and said, “WTF” and everyone looked at me as though I’d sprouted a new head. It was sort of empowering. Perhaps I’ll start, now that I’m a Miss Demeanor. Paula: I never cursed until I got my first job as a business reporter, the only woman on an all-male staff. I was young and naive and the guys gave me a hard time until I learned to do the two things they insisted all “real” reporters did: drink black coffee and swear. I mastered both in record time. As for a favorite swear word: Dipshit, a colorful expression I picked up from my father aka The Colonel. In our family that is quite the put-down. Tracee: Is dipshit a swear word? (Sorry Paula!) I try to swear only in private and therefore won’t give you my favorites but they would make a sailor’s skin crawl (it really does feel good). In the South when a woman of a certain age says “bless his/her heart” that basically means they are damned to the lowest circle of hell, thus proving that it isn’t the actual words but the meaning. Alexia: Some years ago, during an interview on IFC’s The Actor’s Studio, the host asked the brilliant actor, Nathan Lane, what his favorite swear word was. “F**k. Or a**hole. If you can call someone a f**king a**hole, you know it’s a great day.” Those have been my favorite swear words since then. You can get away with “bless your heart” in public because so few know what you really mean. I also like to use British/Irish swear words, like “bloody” and “bollocks”, for the same reason. They don’t sound so bad over here. My publisher frowns on excessive profanity but I manage to get away with “shite” in my novels. Pronounced with a long i, it has a certain charm. Michele: Since I’m in Dublin right now, I’ll have to say the word “feck” is simply a delightful way to say the f-word. But if you want to know the swear that I’ve found the most versatile, it’s a word my late ex-husband and his friends on the police department invoked frequently. “Mother-f***er” with a simply twist on inflection can sound like a lament (Ah, mother-f***er, my tire is flat; a question (Mother-f***er? What happened to my tire?, as in WTF); or as an indictment (You mother-f***ker, you let the air out of my tire! as in “You bastard, you let the air out of my tire). Then there are the variations in accents. Of course, Boston sounds like Mothah-f***kah, but New York, New Jersey, and deep Southern variations are delicious too.I try to limit my use of the word to when I am driving alone in traffic jams in Boston. Alexia: https://www.huffingtonpost.com/entry/helen-mirren-wishes-she-told-people-to-f-off-more_us_5600076ae4b0fde8b0cee0fc. If it’s good enough for Helen Mirren…  Paula: Ha! Love her! Robin: Happy Friday!  

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Cyber Attacks, Ransomware & Wipers, Oh My

In the aftermath of back-to-back global cyber attacks like WannaCry and Petya writers (among others) should be more concerned than ever about protecting their data. In this case, I’m talking about your books and works in progress.Ransomware is a type of malicious software (“malware”) that locks up your files until you pay an attacker for a code to unlock them. WannaCry is an example of this. This week, we saw the Petya malware disguise itself as ransomware but it’s more insidious. It permanently locks up the entire hard drive. In spite of the fact that many people paid the attackers, the “unlock code” doesn’t work. This is called a “wiper” because what it actually does is block the computer from booting properly ever again, effectively wiping the contents irretrievably. Writers work on computers. So should you worry? Yes and no. Yes, because malware is constantly evolving. While WannaCry and Petya target Windows, there are similar attacks ongoing against Macs and it’s only going to get worse. One way or another, your computer is at risk. No, because there are precautions you can take. First and foremost, back up your work early and often. I’m obsessive about this. I not only back up my full disk, I save my books and WIPs to no fewer than 3 thumb drives (also known as USB flash drives or jump drives). I’ve been around technology long enough to see all kinds of hardware failures, including thumb drives that went through the wash when I forgot I was carrying one in a pocket. Thumb drives are cheap – as little as $6. It’s a simple investment for peace of mind. Wait, I hear you ask, what about Google Drive, Dropbox or other “cloud” methods to store and backup? These are options but I don’t like relying on someone else to keep my work safe. Things may happen that are beyond my control (did I mention I’m a control freak when it comes to technology?). So, yes, cloud storage is an option but not one of my personal favorites. Second, keep your computer up to date. The easiest way to do this is to enable automatic updates. Both Microsoft and Apple issue regular and emergency updates as the threat landscape requires. Limit your risk by keeping current. Finally, and I’m talking to you Mac users, install anti-malware. Windows users have known this one for years. There’s a pervasive misunderstanding that Macs are immune to malware. This isn’t now nor has it ever been true. In fact, my first computer was a Mac. The first computer virus I saw was also on a Mac, 20 years ago. What is true is Macs were less interesting to bad guys for a long time but not anymore. Over the last 5 years, attacks against Macs have grown exponentially as the popularity of Apple products has increased. The good news is there are more options now to protect Macs for free. Products like Sophos and Malwarebytes are a couple of my favorites. Let’s all stay safe out there.              

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The Long Way

Every one of the Miss Demeanors started our respective journeys the exact same way. We each aspired to be writers. After taking the first steps, each of our paths diverged. That’s how it works. We all have our own paths as human beings. Mine has been particularly non-linear which has been awesome. Literally. I’m sometimes stunned when I step back and look at things I’ve accomplished while my attention was focused on the little twists and turns. I’ve been through a few career reinventions. The path I’m on now is, arguably, the direction I’ve been headed all along. And I get to carry with me the alchemy of experiences that shaped my successes in the past which helps me recreate the magic, over and over. Seems to be working out so far so I thought I’d share a few of the things I’ve learned along the way: 1. Do the work. There is no shortcut. You write. You read. You attend workshops, conferences and bootcamps. You keep writing. You join – and participate in – local chapters of national organizations tailored to your genre (Mystery Writers of America, International Thriller Writers, Sisters In Crime, etc.). You write some more. Strive to master the craft and prove it. There is no substitute. 2. Find mentors and listen to them. One of the first things I do when I chart a new course is study those who have gone before me. This leads me to level-set my expectations and identify people who are generous with their time. Every industry has its pack. Writers often refer to it as “finding our tribe.” Learning about the people whose careers I’d like to emulate uncovers their peers and partners. I seek out opportunities to mix and mingle with these people, ask questions and listen to the answers. If someone is willing to teach I prove myself as an enthusiastic pupil. Then I go back to Step 1. 3. Give back. Participate. Share. Be as generous with your time as your mentors are with theirs. If you’re packing the heat of Steps 1 & 2, don’t worry about making mistakes. Count on them. Embrace opportunities. Jump in to help others in whatever way you can: volunteering at conferences and book festivals, sharing expertise, etc.. Helping to pull off an event creates camaraderie. The world is small and memories are long. 4. Celebrate others as you would have them celebrate you. We all know this one as the “Golden Rule.” Be the type of person you’d like to have in your corner when you reach your milestones. Play nice and you’ll find your cheering section full when it’s your turn. 5. Never stop learning. Art is subjective which means tastes, styles and market forces are subject to cultural influence. This means studying, well, everything. Particularly those tastes, styles and market forcesthat drive your genre. I’m not suggesting you pander. I’m suggesting you keep writing, keep reading, keep going to conferences and writing organization chapter events. If you’re really adventurous, stretch yourself. If you write novels, write a short story or two. If you write short stories, write a novel. Experiment. Then go back to Step 1.  

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