Divine Reading

 Today is the eighth day of Lent. For Christians, the forty days leading to Easter are a time to prepare for the holiest day of the Church year, the celebration of Christ’s resurrection. Many Christians observe Lent by giving up something such as chocolate, smoking, or social media. Others take on a spiritual discipline such as centering prayer. I wondered if there was a spiritual discipline centered around reading. There is.  Lectio divina, divine reading, is a form of prayer that dates to the sixth century. The technique is simple. Read, reflect, respond, rest. First, select a reading. Go someplace quiet and read the passage aloud. Notice if a particular word or phrase stands out or touches you. Reflect on the special feeling or insight. Reread the passage and converse with God in response to what you read. Rest. Lectio divina is specifically a form of Christian contemplative prayer. However, the technique could be applied to secular reading. How often have you come across a passage—a sentence or a paragraph—in a book or short story that struck you as powerful, that stayed with you long after you finished reading? The next time this happens, pause. Read the passage aloud and reflect on it. Notice how it makes you feel, reflect on your reaction. Read the passage aloud again and discuss your reaction with yourself. Write down your response. Or go ahead and talk it out. No one’s judging. What techniques have you used to deepen your understanding of, or connection to, what you read?

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Fair Game

 The movers brought my furniture today. Except for a few minor snafus—driver arrived, crew didn’t; car battery died so couldn’t get it off truck—everything was going well. Until. The crew parked in the nameless alley behind my house and had almost finished unloading my household goods when a cranky neighbor showed up and demanded both the crew’s pickup truck and the moving truck be removed. She “needed” them moved, she said. The movers had parked in the alley to avoid blocking the road in front of my house. They weren’t impeding traffic. They weren’t parked in the woman’s yard. They weren’t blocking her driveway or preventing her from leaving her house. Cranky neighbor was so offended by a moving truck in a back alley, she called the police. The policeman who responded did not seem overly concerned. He remained polite and professional. He simply asked the movers about how long they thought they’d be then left. Cranky neighbor stayed home and spied on the movers, looking for reasons to scold them. Welcome to the neighborhood. Being an author always alert for story ideas, I immediately thought this woman would make the perfect fictional murder victim. I fantasized ways of killing her off and created a list of suspects with a motive for doing her in. The list was long. I mentally scouted locations for the crime scene and devised a reason for my sleuth to be in this otherwise charming town. Then I stopped. I reminded myself part of what made this town charming was its small size. If I wrote a story and people read it (as I hope they would) they’d recognize the person on whom I’d wreaked fictional vengeance. That probably wouldn’t get me invited to many parties or included on any Christmas card lists. Last Spring, Richard Cohen wrote an article titled, “How Writers Will Steal Your Life and Use it For Fiction.” He explained how writers crafted characters inspired by people they met and examined how this literary identity theft impacted both writer and written about. One of my favorite episodes of “Midsomer Murders” deals with a man whose life has been turned into a novel by someone else. He feels victimized, his experiences stolen, leaving him with nothing to write about himself. There are ways to borrow someone’s life without offending them or risking libel charges. Transform males into female characters and vice versa. Borrow traits from several different people and combine them into a single character. Change your locale. Get their permission. Some people might like the idea of being an author’s muse. However we handle it, we’re unlikely to stop using bits and pieces of real people to build fictional characters. Life has too many good stories to pass up. Maybe writers should all wear warning buttons like the one I recently gave a writer friend—”Be careful. Anything you say may end up in my novel.” How do real people inspire your writing? How do you disguise them? 

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Good Bad Guys

 I binge-watched “American Greed” on Hulu tonight. The show, in its eleventh season, airs on CNBC. Stacey Keach narrates each episode which details a fraud investigation. The show doesn’t focus as much on the law enforcement officers and prosecutors who pursue the fraudsters as it does on the con artists who commit the crimes. That’s what fascinates me about the show—the look inside the mind of a criminal, what motivates a person to lie, cheat, and steal. I remember someone in one of my writing classes asked about creating an antagonist. I don’t recall the exact wording of the question but the gist was, how do you create a believable, relatable villain? The answer was, make sure the villain is the hero of his or her own story. Every villain has a reason for their actions. Their motivation for doing what they do makes sense to them even if it doesn’t make sense to anyone else. When I’m plotting a mystery the first things I figure out are whodunit, howdunit, and whydunit. Literature has given us spectacular villains, some as remarkable as the heroes they oppose. Professor Moriarty,  Mr. Ripley, County Dracula, The Joker, Cruella DeVil. In 2013, The Washington Post published a list of “best” literary villains.https://www.washingtonpost.com/opinions/the-greatest-villains-in-literature/2013/09/12/fa7dd6c6-0e74-11e3-85b6-d27422650fd5_story.html?utm_term=.f6f39f348116 Who are some of your favorite bad guys? 

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A Counter-top of One's Own

        A famous quote states a woman needs a room of her own if she’s to write fiction. But does she? Many authors have written in cafes, hotels, on buses, in cars, on trains and subways. My fellow Miss Demeanors and I share our writing places. Alexia: My favorite places to write are airplanes and hotel lobby lounges.Airplanes provide some background noise, which keeps my mind from wandering, but not so much noise that I can’t concentrate. The airplane seat provides a personal space, whose borders are defined by the armrests, that most people respect and don’t intrude upon. I occasionally encounter the overly-chatty seatmate who wants to be entertained or wants an audience for their monologue but I’ve gotten pretty good at mono-syllabic answers and body language that discourages unwanted conversation. And the flight’s duration provides a built-in time limit. I write from cruising altitude to preparation for landing.Hotel lobby lounges come with comfortable chairs, food service, and plenty of opportunities for people watching/gathering source material. Paula Munier: Oooh, I need to learn how to do that. I’m gonna try it, Alexia. Mostly I just sleep on planes and trains.As for the question: When I was a young reporter with small children at home, I could work in a crowded noisy news room or a crowded noisy kitchen, no problem.But now that my children are grown, and I work from home in an often empty house, I’ve grown spoiled. I like quiet, and require it, especially for my handwritten first drafts, which I find difficult in the best of times and places.In warm weather, what I need to wrestle with words is my lucky Waterman pen and my red leather-bound journal and a seat outside down by the lake.In the winter, I retreat to my sofa in front of the roaring fireplace and look out the windows to the now frozen lake for inspiration. Cate: With two young kids and a dog at home, I have learned to write amidst chaos. But I prefer quiet spaces. I like to write in my bedroom when the kids are in school, but have also found I can be pretty productive in the car while waiting to pick them up outside a dance or music class. I tend to edit on planes. Something about being thirty thousand feet in the air makes me ruthless. Any word or thought that doesn’t immediately interest me gets cut. Tracee: I’m with Paula…. I need a lesson in writing on airplanes. I can do it, but… I tend to binge read at 30,000 feet. in everyday life, I prefer writing in a quiet place, although I tend to move around. I like to work at a desk, in a favorite chair, or outdoors on a long table on our porch in the summer. I alternate between typing and writing, so that plays a role. Edits happen on an enormous screen (at a desk!) while the rest can occur anywhere. I do have a strange preference for working in hotels. A good hotel is peaceful, with many places to write – the room, quiet places in the lobby, a breakfast room, some still have writing rooms. Terraces, porches, by the pool… the list goes on. Susan: I love to work in my office, with my dogs snoring at my feet.  When I’m feeling peaceful, my mind feels freer to wander around. But sometimes it’s fun to be in a more frenetic location. I like sitting at one of the tables at Bryant Park and feeling all the energy from the city and scribbling in my notebook… I guess I am the pack rat in this group.  I write surrounded by treasured photos, treasured books, and post-its to remind me who I’m writing about. I’m sorry to say that my entire office looks like this, and there are two cockapoos lounging in a chair to the left of the photo Robin: Anywhere, any time. As an almost-debut author I’m hungry and motivated to write whenever I have stolen moments or can create big chunks of time. An example of a stolen moment is my day job commute. I take a train or subway a couple of times a week, which are great sources of inspiration for drawing characters based on what I see & hear. When I’m home, I alternate between my office and my kitchen. I move to the kitchen when I need to stretch my legs by standing at the counter. I’m standing there right now, in fact. One of these days I’ll invest in a pneumatic desk so I can raise and lower my home office workspace. Michele: For years, I wore so many hats, I had to squeeze writing in whenever I could find time. I wrote in courtrooms, on planes and trains, in classrooms, cars. and offices. Now that my primary focus is writing, I find I still write anywhere I can and choose. I’ve discovered I love writing outdoors (why not?) on a porch, a beach or at a picnic table. I have invested in a waterproof case for my laptop. While I love having a desk to organize me, I prefer to do the physical act of writing on my lap. Why I didn’t know until recently was that lovely lap top antique desks exist, I don’t know. But I’m sure I’m going to find one. Where do you write? 

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Honoring Excellence in the Field

 Award season is upon us. The Golden Globes have been handed out, honoring Hollywood achievements, and the Oscar nominations have been announced. The nominees wait, breaths held and fingers crossed, hoping to hear their names called when the presenters open the envelope and read, “And the Oscar goes to…” The literary world awards its share of prizes, including the Pulitzer and Nobel. Some honor excellence in writing in general, some awards are genre specific. The Lefty, the Agatha, and the Edgar, three that honor excellence in crime writing, just released their nominee lists. The Lefty Awards are presented annually at the Left Coast Crime convention for the best humorous, historical, and debut mystery novels, as well as a prize for a mystery not in the above categories. Winners are selected by votes of registered convention attendees. This year’s nominees are:Lefty for Best Humorous Mystery NovelDonna Andrews, Die Like an Eagle (Minotaur Books)Ellen Byron, Body on the Bayou (Crooked Lane Books)Timothy Hallinan, Fields Where They Lay (Soho Crime)Heather Haven, The CEO Came DOA (Wives of Bath Press)Johnny Shaw, Floodgate (Thomas & Mercer)Diane Vallere, A Disguise To Die For (Berkley Prime Crime) Lefty for Best Historical Mystery Novel (Bruce Alexander Memorial) for books covering events before 1960Rhys Bowen, Crowned and Dangerous (Berkley Prime Crime)Susanna Calkins, A Death Along the River Fleet (Minotaur Books)Laurie R. King, The Murder of Mary Russell (Bantam Books)Catriona McPherson, The Reek of Red Herrings (Minotaur Books)Ann Parker, What Gold Buys (Poisoned Pen Press) Lefty for Best Debut Mystery NovelSarah M. Chen, Cleaning Up Finn (All Due Respect Books)Marla Cooper, Terror in Taffeta (Minotaur Books)Alexia Gordon, Murder in G Major (Henery Press)Nadine Nettmann, Decanting a Murder (Midnight Ink)Renee Patrick, Design for Dying (Forge) Lefty for Best Mystery Novel (not in other categories)Matt Coyle, Dark Fissures (Oceanview Publishing)Gigi Pandian, Michelangelo’s Ghost (Henery Press)Louise Penny, A Great Reckoning (Minotaur Books)Terry Shames, The Necessary Murder of Nonie Blake (Seventh Street Books)James W. Ziskin, Heart of Stone (Seventh Street Books) The Agatha Awards honor works in the traditional (a.k.a. cozy or classic) mystery subgenre and are named for Agatha Christie. They’re presented at the annual Malice Domestic convention. Winners are determined by conventioneers’ ballots. This year’s nominees are:Best Contemporary NovelBody on the Bayou by Ellen Byron (Crooked Lane Books)Quiet Neighbors by Catriona McPherson (Midnight Ink)A Great Reckoning by Louise Penny (Minotaur Books)Fogged Inn by Barbara Ross (Kensington)Say No More by Hank Phillippi Ryan (Forge Books) Best Historical NovelWhispers Beyond the Veil by Jessica Estevao (Berkley)Get Me to the Grave on Time by D.E. Ireland (Grainger Press)Delivering the Truth by Edith Maxwell (Midnight Ink)The Reek of Red Herrings by Catriona McPherson (Minotaur Books)Murder in Morningside Heights by Victoria Thompson (Berkley) Best First NovelTerror in Taffeta by Marla Cooper (Minotaur)Murder in G Major by Alexia Gordon (Henery Press)The Semester of Our Discontent by Cynthia Kuhn (Henery Press)Decanting a Murder by Nadine Nettmann (Midnight Ink)Design for Dying by Renee Patrick (Forge Books) Best NonfictionMastering Suspense, Structure, and Plot: How to Write Gripping Stories that Keep Readers on the Edge of Their Seats by Jane K. Cleland (Writer’s Digest Books)A Good Man with a Dog: A Game Warden’s 25 Years in the Maine Woods by Roger Guay with Kate Clark Flora (Skyhorse Publishing)Sara Paretsky: A Companion to the Mystery Fiction by Margaret Kinsman (McFarland Books) Best Short Story”Double Jinx: A Bellissimo Casino Crime Caper Short Story” by Gretchen Archer (Henery Press)”The Best-Laid Plans” by Barb Goffman in Malice Domestic 11: Murder Most Conventional (Wildside Press)”The Mayor and the Midwife” by Edith Maxwell in Blood on the Bayou: Bouchercon Anthology 2016 (Down & Out Books)”The Last Blue Glass” by B.K. Stevens in Alfred Hitchcock’s Mystery Magazine”Parallel Play” by Art Taylor in Chesapeake Crimes: Storm Warning (Wildside Press) Best Children/Young AdultTrapped: A Mei-hua Adventure by P.A. DeVoe (Drum Tower Press)Spy Ski School by Stuart Gibbs (Simon & Schuster)Tag, You’re Dead by J C Lane (Poisoned Pen Press)The Mystery of Hollow Places by Rebecca Podos (Balzer & Bray)The Secret of the Puzzle Box: The Code Busters Club by Penny Warner (Darby Creek) The Edgar Awards, named for Edgar Allan Poe, are given by the Mystery Writers of America to honor the best in crime writing and television. An MWA volunteer committee selects the winners in numerous categories as well as a Grand Master. Awards are also given to honor someone outside of creative writing who has worked to promote the mystery field and for excellence in mystery publishing. This year’s nominees are:BEST NOVELThe Ex by Alafair Burke (HarperCollins Publishers – Harper)Where It Hurts by Reed Farrel Coleman (Penguin Random House – G.P. Putnam’s Sons)Jane Steele by Lyndsay Faye (Penguin Random House – G.P. Putnam’s Sons)What Remains of Me by Alison Gaylin (HarperCollins Publishers – William Morrow)Before the Fall by Noah Hawley (Hachette Book Group – Grand Central Publishing) BEST FIRST NOVEL BY AN AMERICAN AUTHORUnder the Harrow by Flynn Berry (Penguin Random House – Penguin Books)Dodgers by Bill Beverly (Crown Publishing Group)IQ by Joe Ide (Little, Brown & Company – Mulholland Books)The Drifter by Nicholas Petrie (Penguin Random House – G.P. Putnam’s Sons)Dancing with the Tiger by Lili Wright (Penguin Random House – G.P. Putnam’s Sons)The Lost Girls by Heather Young (HarperCollins Publishers – William Morrow) BEST PAPERBACK ORIGINALShot in Detroit by Patricia Abbott (Polis Books)Come Twilight by Tyler Dilts (Amazon Publishing – Thomas & Mercer)The 7th Canon by Robert Dugoni (Amazon Publishing – Thomas & Mercer)Rain Dogs by Adrian McKinty (Prometheus Books – Seventh Street Books)A Brilliant Death by Robin Yocum (Prometheus Books – Seventh Street Books)Heart of Stone by James W. Ziskin (Prometheus Books – Seventh Street Books) BEST FACT CRIMEMorgue: A Life in Death by Dr. Vincent DiMaio & Ron Franscell (St. Martin’s Press)The Lynching: The Epic Courtroom Battle that Brought Down the Klan by Laurence Leamer (HarperCollins Publishers – William Morrow)Pretty Jane and the Viper of Kidbrooke Lane: A True Story of Victorian Law and Disorder: The Unsolved Murder That Shocked Victorian England by Paul Thomas Murphy (Pegasus Books)                      While the City Slept: A Love Lost to Violence and a Young Man’s Descent into Madness by Eli Sanders (Penguin Random House – Viking Books)The Wicked Boy: The Mystery of a Victorian Child Murderer by Kate Summerscale (Penguin Random House – Penguin Press) BEST CRITICAL/BIOGRAPHICALAlfred Hitchcock: A Brief Life by Peter Ackroyd (Penguin Random House – Nan A. Talese)Encyclopedia of Nordic Crime: Works and Authors of Denmark, Finland, Iceland, Norway and Sweden Since 1967 by Mitzi M. Brunsdale (McFarland & Company)Shirley Jackson: A Rather Haunted Life by Ruth Franklin (W.W. Norton – Liveright)Something in the Blood: The Untold Story of Bram Stoker, the Man Who Wrote Dracula by David J. Skal (W.W. Norton – Liveright) BEST SHORT STORY”Oxford Girl” – Mississippi Noir by Megan Abbott (Akashic Books)”A Paler Shade of Death” – St. Louis Noir by Laura Benedict (Akashic Books)”Autumn at the Automat” – In Sunlight or in Shadow by Lawrence Block (Pegasus Books)”The Music Room” – In Sunlight or in Shadow by Stephen King (Pegasus Books)”The Crawl Space” – Ellery Queen Mystery Magazine by Joyce Carol Oates (Dell Magazines) BEST JUVENILESummerlost by Ally Condie (Penguin Young Readers Group – Dutton BFYR)OCDaniel by Wesley King (Simon & Schuster – Paula Wiseman Books)The Bad Kid by Sarah Lariviere by  (Simon & Schuster – Simon & Schuster BFYR)Some Kind of Happiness by Claire Legrand  (Simon & Schuster – Simon & Schuster BFYR)Framed! by James Ponti (Simon & Schuster – Aladdin)Things Too Huge to Fix by Saying Sorry by Susan Vaught (Simon & Schuster – Paula Wiseman Books) BEST YOUNG ADULTThree Truths and a Lie by Brent Hartinger (Simon & Schuster – Simon Pulse)The Girl I Used to Be by April Henry (Macmillan Children’s Publishing Group – Henry Holt BFYR)Girl in the Blue Coat by Monica Hesse (Hachette Book Group – Little, Brown BFYR)My Sister Rosa by Justine Larbalestier (Soho Press – Soho Teen)Thieving Weasels by Billy Taylor (Penguin Random House – Penguin Young Readers – Dial Books) BEST TELEVISION EPISODE TELEPLAY”Episode 1 – From the Ashes of Tragedy” – The People vs. O.J. Simpson: American Crime Story, Teleplay by Scott Alexander & Larry Karaszewski (FX Network)”The Abominable Bride” – Sherlock, Teleplay by Mark Gatiss & Steven Moffat (Hartswood Films/Masterpiece)”Episode 1 – Dark Road” – Vera, Teleplay by Martha Hillier (Acorn TV)”A Blade of Grass” – Penny Dreadful, Teleplay by John Logan (Showtime) “Return 0″ – Person of Interest, Teleplay by Jonathan Nolan & Denise The (CBS/Warner Brothers)“The Bicameral Mind” – Westworld, Teleplay by Jonathan Nolan & Lisa Joy (HBO/Warner Bros. Television) ROBERT L. FISH MEMORIAL AWARD”The Truth of the Moment” – Ellery Queen Mystery Magazine by E. Gabriel Flores (Dell Magazines) GRAND MASTERMax Allan CollinsEllen Hart RAVEN AWARDDru Ann Love ELLERY QUEEN AWARDNeil Nyren THE SIMON & SCHUSTER – MARY HIGGINS CLARK AWARDThe Other Sister by Dianne Dixon (Sourcebooks – Sourcebooks Landmark)Quiet Neighbors by Catriona McPherson (Llewellyn Worldwide – Midnight Ink)Say No More by Hank Phillippi Ryan (Tor/Forge Books – Forge Books)Blue Moon by Wendy Corsi Staub (HarperCollins Publishers – William Morrow)The Shattered Tree by Charles Todd (HarperCollins Publishers – William Morrow) Congratulations and good luck to all the nominees. 

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Your Challenge, Should You Choose to Accept It…

How many of you have already given up on your New Year’s resolutions? I have. I won’t even tell you what they were. I don’t think I’ve ever managed to keep a resolution past January.I’m trying something different this year—challenges. Not the one-off kind that go viral on the Internet like eating cinnamon, mimicking a mannequin, or pouring ice water over your head. I signed up for challenges that involve a year-long commitment. Challenges are more specific task oriented than resolutions and I’m a task-oriented person. If you accept the challenge, you agree to do something—read, cook, sew, draw—every day or week or month for a year. You keep track of your progress on your calendar or with a checklist or with social media posts. I signed up for a daily challenge, 1 Year of Stitches.  You embroider one or more stitches and post a picture to Instagram or Twitter every day for a year. I’ve kept up pretty well, so far. I missed a couple of days but I doubled up the day after and I’m still on track. One stitch doesn’t take much time. I also signed up for two reading challenges. I pledged to read thirteen books this year for the Goodreads challenge. I set the bar low—one book a month plus one—but I don’t read as fast as I used to and challenges are more fun if you have a real hope of completing them. And if I read more than thirteen I get bonus bragging rights. I decided to push myself by signing up for Book Riot’s Read Harder Challenge. Book Riot goes beyond challenging you to read a certain number of books by year’s end. They select categories and you read a book that fits into each. You win a thirty percent discount at the Book Riot store if you succeed. All of the categories are creative, some are tricky—read a book set within one hundred miles of your location, read a book about books, read a collection of poetry in translation on a theme other than love. One book can satisfy multiple categories, though. A book published between 1900 and 1950 about a war set more than 5000 miles from your location would fulfill three. If I complete the Book Riot challenge, I also complete the Goodreads challenge so I can achieve two goals at once. I probably (definitely) could have found enough books in my TBR pile for both reading challenges. But, to up the excitement and to discover some books I wouldn’t necessarily have chosen for myself, I subscribed to two book-a-month programs. One, run by Bas Bleu Booksellers, offered me a choice of mysteries, general fiction, or biographies and memoirs. I chose mysteries. The other, run by Heywood Hill bookstore, in London, offered nearly a dozen options. I went with the 12-month paperback subscription. I have no idea what genres my books will be in, only that they were selected by my personal bookseller (seriously, she even sent me her card) based on what she thought I’d like after I had a reading consultation (by email since we’re on different continents). I received my first book, The Trouble with Goats and Sheep, a couple of days ago, adorably wrapped in brown paper and ribbon.  My goal for participating in reading challenges and book subscriptions this year is to stretch my reading horizons and, by doing so, become a better writer.Have you accepted any challenges for 2017? How do you plan to expand your creative horizons this year? 

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Plan Your Escape

Escapist fiction is defined by Wikipedia as “fiction which provides a psychological escape from thoughts of everyday life by immersing the reader in exotic situations or activities.” The term is often wielded like a derogatory club against works deemed unworthy by fanatical devotees of “literary fiction,” works that, according to Wikipedia, have “merit…involve social commentary or political criticism or focus on the human condition…and is often more focused on themes than on plot…” Literary fiction boasts of “analyzing reality” while escapist fiction, also known as popular or genre fiction, aims to escape reality. I love escapist fiction without apology. I’m not embarrassed to be seen reading a book that will never be nominated for a Pulitzer or a Nobel or a Man Booker prize. I’ve nothing against prize-winning works of great lit-tra-chure, except the prodigious heft of some of the hardback editions. I even read, and enjoy, literary novels. Several claim spots in my (out of control) TBR pile. But when I do read literary novels, I choose them based on the story they tell, not because of some important message the critics ensure me is waiting to be discovered in the 982 pages. I don’t need, nor do I especially want, my fiction to mirror or analyze society. That’s what non-fiction is for. I read the news to find out what’s going in the world. (Granted, it’s become difficult to distinguish between news and fiction these days. Thanks, Interweb.) If I want more depth or detail than a newspaper article can provide I turn to the non-fiction section of the bookstore. Non-fiction has come a long way since the days when it all tended to read like dust-dry textbooks. It’s become “creative” and often reads like a novel. I read fiction for entertainment. There, I said it. I feel no shame. Entertainment is not bad. Humans have always sought entertainment. True, we’ve created some sick forms of entertainment over the centuries but we’ve come up with some good stuff, too. Like fiction. I’m not hiding my head in the sand when I seek entertainment in fiction. I’m not trying to pretend what’s happening in the world isn’t happening. I know what’s going on. You can’t turn on a TV or open a social media feed or, depending on where you live/who you work for/what you look like/where you worship/who you love, step outside your door without getting a wallop of reality right upside your head. Sometimes I get so much reality my head hurts. I want to scream. I often cuss. Worse, I start to think things that make me worry I’m turning into a person I wouldn’t like very much. I need to get away from reality to save my sanity. I need to be entertained. I need to lose myself. I need to escape on the Millennium Falcon with Han Solo or down a rabbit hole with Alice. I need to bring murderers to justice with Marple and Poirot. I need to poke a finger in bureaucracy’s eye while saving the universe with Jame Retief. Of course, genre fiction can have “literary merit”. Many literary novelists have jumped the pop fiction fence and created “cross-genre” or “genre blurring” works that leave bookstores scratching their heads about where to shelve them and prize committees fielding complaints about prizes being awarded to books that are “too popular.” A popular book can make a profound statement about our society and the human condition. Science fiction has a tradition of skewering societal norms and trends. Pohl and Kornbluth’s The Space Merchants, Bradbury’s Fahrenheit 451, and Laumer’s Retief series are just a few sci-fi novels that do this in entertaining (and in Laumer’s case, hysterical) ways. It’s possible to be capital-m-Meaningful and entertaining at the same time. For example, a fictional detective can solve a fictional crime while saying something about the society in which a particular victim succumbs to that particular crime. Plot doesn’t have to be sacrificed at the altar of significance. So, genre fiction, more power to you. Keep teaching us while you entertain. But, mostly, entertain. Tell me a good story. As Sana Hussain said in her essay, “Literary or Not: The Reality of Escapist Fiction,” let me “doff the burden of [my] problems and inhabit a world…that makes up for the arbitrariness and unpredictability of the real world by offering rationality and resolution.” Bring order to chaos. Strike a blow for truth and justice. Let the good guy win. Remind me life isn’t always as twisted and ugly and painful as it seems. Entertain me. My overwhelmed brain and bruised soul thank you. Do you think the escapist vs literary debate is artificial? Is escapist a bad word? Why do you read escapist fiction? 

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Celebrate the (Hand) Written Word

 Today, January 23, is National Handwriting Day. Created in 1977 by the Writing Instrument Manufacturers’ Association (WIMA) to coincide with John Hancock’s (the man whose name is synonymous with “signature”) birthday, National Handwriting Day celebrates the art of writing by hand.
Why celebrate something as archaic as handwriting in an era of ubiquitous keyboards? Everyone types these days, don’t they? Schools don’t even teach handwriting anymore. Why bother? Because the act of picking up a writing instrument, whether pen, pencil, marker, or crayon, and putting words on a surface (preferably, paper. Writing on walls is graffiti and may get you into trouble) creates a connection between mind, body, and world unmatched by computer keyboard or smartphone touchscreen. Writing by hand forces you to slow down—not a bad thing. When you slow down you have more time to notice things, more time to think. I write my first drafts, including of this blog post, and do my initial edits by hand. I get lost when I sit in front of a blank computer screen and type with no handwritten reference to refer to. I forget what I typed after it scrolls off the screen. Scrolling back through pages and pages of uniform font to find what I typed two thousand words ago makes my eyes water and my head hurt. In my handwritten drafts, on the other hand, my scribbles, cross-outs, circles, arrows, and marginalia serve as visual cues to help me locate information.
We celebrate handwriting for its individuality. Times New Roman is Times New Roman regardless of whose computer screen displays it. Handwriting expresses the writer’s personality the way typewriting can’t. Look at John Hancock’s signature on the Declaration of Independence. You can guess he was not a timid man. My handwriting is mine and mine alone. It reveals clues to my state of mind. It morphs to suit my mood and purpose. Slanted, cramped letters with write-overs instead of cross-outs mean I’m in a hurry. Wandering letters in a variety of sizes mean I’m tired. Rounded, upright letters mean I’m inspired. Big letters with bold strokes mean I’m ticked off and/or fired up. Neat, evenly-spaced letters mean I’m making an effort to improve readability because the writing is meant to be read by others.
We celebrate handwriting because it gives us an excuse to buy pens and paper. That was WIMA’s motivation behind the designation of the day. I love pens. I have dozens, ranging from high-end fountain pens to freebies I collected from hotel nightstands. If you add pencils and markers to the tally, the number is in the hundreds which doesn’t stop me from acquiring more in my quest to find the “perfect” writing instrument. I love paper, too. Bound, unbound, lined, blank, graphed, it doesn’t matter. I confess to an office supply fetish. The sensation of a pen gliding across a sheet of paper, the weight of the pen barrel in my hand, the smell of the ink—these things make me happy. 
“But writing by hand is hard,” I hear you say. It doesn’t have to be. Handwriting today is nothing compared to the formal penmanship of Hancock’s era. I bought a book called A Proper Hand: Writing in the Manner of the 18th Century during a recent trip to Colonial Williamsburg. The author spends thirty-two pages describing the equipment and preparations needed before he got to the actual writing. Nowadays, grab a Bic and a Post-It note and you’re good to go.
If your handwriting is bad, as mine often is when I’m in a hurry or I’ve spent a day signing medical forms (Bad Handwriting 101 is a required med school course.) you can improve it. You can take a calligraphy class if you want handwriting that would be at home at the bottom of the Declaration of Independence or you want to DIY your invitations. Or you can go to a site like WikiHow and find simple tips such as: move your whole arm when you write instead of just your fingers, angle your paper thirty to forty-five degrees from your body.
WikiHow also suggest some ways to celebrate National Handwriting Day. Write a journal entry. Write a letter to a friend, relative, or lover. (Texts and emails are not romantic.) Write a story. Write down your dreams and your goals. And don’t worry, you don’t have to go full Luddite. You can post to social media with #NationalHandwritingDay.
How will you celebrate?

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A Ghostly Christmas Tradition

 I found myself without power the other day, thanks to a winter windstorm with sixty-five miles per hour gusts. No power meant no Netflix, no Internet, and no way to recharge my laptop. Quel horreur. Then I reminded myself people managed without these things for centuries. So, I gathered my car keys, car charger, and phone and grabbed a book from my TBR pile. I headed for my car in the driveway. I plugged my phone into the car charger, turned on the heater, and streamed Christmas music on satellite radio. Settled in, I opened my book, a compendium of one hundred-one of the “greatest” ghost stories. I love ghost stories and read them year-round. But a comment in the preface gave me pause. The editor mentioned the Victorian tradition of telling ghost stories at Christmas. I knew of ghost stories set at Christmas. A Christmas Carol has four. And I knew the master of the ghost story, M.R. James, regaled friends and students at Christmas with tales of the supernatural. I thought that was just him. But, apparently, back in the day it was “a thing.” Everybody did it. After the power returned, I plugged in my energy-depleted laptop and googled “Christmas ghosts.” Sure enough, I found articles on the Victorian tradition of “meeting round a fire of Christmas Eve” to “tell authentic anecdotes about specters.” “Nothing satisfied” more, according to Jerome K. Jerome (really his name) in his 1891 ghost story anthology, Told After Supper. A 2010 Deseret News article (the source of the Jerome quotes) points out a reference to the tradition in a modern Christmas song, “It’s the Most Wonderful Time of the Year”, the lyric, “There’ll be scary ghost stories and tales of the glories of Christmases long, long ago.” (You’re singing that in your head now, aren’t you?) But why ghost stories at Christmas? Because, according to pagan tradition Yule boasts as many ghosts as Samhain. Yule is celebrated at the Winter Solstice, the longest day of the year and a symbol of death and rebirth. On this day spirits of the dead rise and gather with the living around the fireplace and Yule tree. The early Christian church chose to celebrate Christmas on December 25 to coincide with the pagan Yule festival. The Victorians borrowed from the pagans for their Christmas traditions—holly, mistletoe, Yule logs, and ghosts. So, if you’ve had your fill of reindeer and elves, round up some friends, find a hearth, serve up some egg nog, and scare each other with a ghost story or two. It’s tradition. This article from The Paris Review offers five ghost stories to get you started. https://www.theparisreview.org/blog/2014/12/19/ghosts-on-the-nog/

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You Better Watch Out, You Better Not Cry…Krampus is Coming to Town

 While surfing the interweb—I mean, researching Christmas traditions—I stumbled onto some customs that are anything but merry. The anti-Christmas movement skews angry. Think t-shirts emblazoned with “F*** Christmas” and Facebook posts calling for the burning of Christmas trees. (PSA: Don’t do this. Christmas tree fires are fast and deadly. Videos by the National Fire Protection Association and Worcester Polytechnic Institute’s Fire Engineering Program show Christmas tree fires progressing from a few smoldering branches to raging infernos in under a minute. In one WPI video, flashover occurred in 63 seconds. And the NFPA says Christmas tree fires have higher fatality rates than other house fires.) A variety of Christmas-themed slasher flicks pop up in my Netflix recommended movies feed. (Blame the algorithm.) Some of the anti-Christmas customs protest the commercialization and excessive consumerism of Christmas but others are mean-spirited to the point of hatefulness. They possess none of the charm of How the Grinch Stole Christmas or A Christmas Carol which are, after all, about finding Christmas. However, one custom that forgoes charm for terror and at first seems to be the epitome of anti-Christmas turns out to be a Christmas tradition with ancient origins—Krampus celebrations.  Krampus, a half-goat, half-demon creature, makes Bad Santa seem like your favorite uncle. Krampus travels with Saint Nicholas on the night of December 5th, the eve of Saint Nicholas Day. Children leave shoes on the doorstep and Saint Nicholas fills them with candy if they’ve been good. If the children have been bad, the saint will leave them coal or sticks. If the children have been “wicked,” Krampus will beat them with birch switches or kidnap them away to be tortured. No word on how bad you’d have to be to make it from Saint Nick’s naughty list to Krampus’s hit list.  Krampus originated centuries ago in the pagan religion of the area that’s now Austria and southern Germany. His name comes from the German word meaning “claw.” He’s believed to be the son of Hel, the goddess of the Norse underworld (He’d make a great villain in a Thor movie.) and to represent the frightening aspects of dark winters in pre-industrial, heavily wooded Alpine Europe. The Catholic Church banned his celebrations in the 12th century. In the 19th century, people sent Krampus cards. Yes, they’re as creepy as you imagine. (https://mentalfloss.com/article/88891/17-devilishly-awesome-vintage-krampus-cards). The Fascists banned him again in 1934 but later in the 20th century he staged a comeback. Now he’s jumped across the pond from Europe to the US where Krampus parties and parades take place coast to coast. The celebrations generally involve adults donning scary goat demon costumes, getting drunk, and behaving in an un-Christmaslike fashion so it’s probably best to leave the wee ones at home. They certainly won’t want to sit on Krampus’s knee.

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